Category Archives: sydney jazz

Win The Latest Bakelite Broadcasters CD ‘Doin The Charleston’!!!


Spread The Word And Win The Latest Bakelite Broadcasters CD ‘Doin The Charleston’!!!

(Hear it in on Bandcamp)

To go into the draw:

1. Add the flyer below for the 23 May Greg Poppleton and the Bakelite Broadcasters Django Bar show onto your Facebook page
2. Invite your friends to come along
3. Put your name on the 23 May Django Bar events page
4. Be at the Greg Poppleton show for the draw in the Django Bar of the Camelot Lounge, 23 May at 10pm to WIN!!!

Put this flyer onto your Facebook page and be at the 23 May Django Bar show to win the new CD by Greg Poppleton and the Bakelite Broadcasters

Put this flyer onto your Facebook page and be at the 23 May Django Bar show to win the new CD by Greg Poppleton and the Bakelite Broadcasters

Good Luck! And see you at the Django Bar for Greg Poppleton and the Bakelite Broadcasters 1920s Speakeasy Trio

Django Bar in the Camelot Lounge | 8pm Thursday 23 May | cnr Marrickville Rd and Railway Pde Marrickville | Opp. Sydenham Train Station | $10 door sales only

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Filed under 1920s, 1920s band, 1920s jazz band, 1930s band, australian jazz, dance, dixieland, entertainment, great gatsby band, jazz, lounge, newtown, swing, sydney jazz, wedding jazz band

1920s Gala Fundraiser Makes $42 000


Last Saturday, Greg Poppleton and the Bakelite Broadcasters, played their authentic Roaring 20s speakeasy jazz for the 1920s Ozwac Gala Ball, raising money for this venerable charity.

What is Ozwac? Ozwac, the Australian Women and Children’s Research Foundation, is a charity that raises and grants money for research in western Sydney. It works within the University of Sydney Clinical School at Nepean. The research is essential to improve clinical care for mothers and babies. In general, such research is poorly funded in Australia.

In Greg Poppleton and the Broadcasters for the 1920s gala where Greg Poppleton 1920s singer, Geoff Power trumpet and sousaphone, Chuck Morgan banjo and ukeleles, and Adam Barnard drums. Film and TV personalities Roy Billing and Tara Dennis were also at the Ball, sharing their tremendous talents for the cause.

$42 000 was raised.

One of the organisers of the successful 1920s themed Fundraising Ball (which was held in the Evans Theatre of Penrith Panthers) took some happy snaps of Greg Poppleton and the Bakelite Broadcasters on stage for you. We hope you enjoy them. (Thank you, Kane)

Greg Poppleton and the Bakelite Broadcasters at the Ozwac 1920s Gala Ball, Penrith Panthers

Greg Poppleton and the Bakelite Broadcasters at the Ozwac 1920s Gala Ball, Penrith Panthers

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Now, if you’re looking for a real 1920s trio to sextet or even orchestra for your event, lead by Sydney’s only authentic 1920s singer (classically trained) and filled with world-touring vintage jazz and swing specialists, check out the band’s official website and get in touch via the contact page

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Saturday Night Swing Club 1938 Video


Much Hullabulloo To You, Phantom Dancers,

The Phantom Dancer playlist for Tuesday 7 May 2013 is posted for you below. You can hear the show on 2SER 107.3 and online (see the online address at the top of the play list). Tune in for live 1930s – 60s swing and jazz radio by Duke Ellington, Pee Wee Erwin, Count Basie, Benny Goodman, Anita O’Day and more. Enjoy!

And now for your Phantom Dancer Video of the Week, two Phantom Dancer regulars in a soundie of CBS’ Saturday Night Swing Club. Together on the sound stage, the house swing band lead by Leith Stevens and Eddie Condon’s Dixieland group. But who is the singer? Is it Kay Thompson, Bea Wain…?

Play List – The Phantom Dancer
107.3 2SER-FM Sydney
, Live Stream, Digital Radio

Community Radio Network Show #51

2SER Tuesday 7 May 2013
12 noon – 2:00pm (+10 hours GMT)

Set 1

Open + There Must Be A Way

Boyd Raeburn Orchestra (voc) David Allan & Margie Wood

Rose Room
Palace Hotel
KQW CBS San Francisco
19 Jun 1945

These Things Money Can’t Buy
Nat King Cole

‘King Cole Trio Time’
NBC Cincinnati
6 Dec 1947

To Each His Own / Body & Soul / Mood Indigo
Larry Green
Starlight Room
Hotel Chase
KMOX CBS St Louis
1959
Closing Song & Ads
MacFarlane Twins Orchestra
‘Jack Benny Show’
Fort Mead Md NBC
1943
Set 2
We’re Off To See The Wizard
Jim Davidson ABC Dance Orchestra (voc) Band
Comm Rec
Sydney
21 Nov 1939
I’m Shooting High
Benny Goodman Orchestra (voc) Helen Ward
Joseph Urban Room
Congress Hotel
WMAQ NBC Red Chicago
20 Jan 1936
Theme + Dinah
Count Basie Orchestra
‘Jubilee’
AFRS Hollywood
2 Oct 1944
Eccentric
Pee Wee Erwin’s Dixieland 6

‘One Night Stand’
Nick’s NYC
AFRS Re-broadcast
14 Dec 1950

Set 3

Diminuendo In Blue
Duke Ellington Orchestra
‘A Date With The Duke’
New York
AFRS Re-broadcast
1946
Transbluecency
Duke Ellington Orchestra (voc) Kay Davis
‘A Date With The Duke’
New York
AFRS Re-broadcast
1946
Crescendo In Blue
Duke Ellington Orchestra
‘A Date With The Duke’
New York
AFRS Re-broadcast
1946
Pitter Panther Patter
Duke Ellington Orchestra (double bass) Oscar Pettiford

‘A Date With The Duke’
New York
AFRS Re-broadcast
1946

Set 4

Maria Gilberto
Ernesto Bonino
Comm Rec
Fonit Cetra
Rome
1942
Is You Is Or Is You Ain’t My Baby
Herbie Fields Orchestra (voc) Carol Kay
Glen Island Casino
New Rochelle NY
WOR Mutual NY
9 Aug 1944
Mississippi Mud
Dick Jurgens Orchestra (voc) Al Galanti
Trocadero Ballroom
Elitch’s Gardens
Mutual Network
Denver Co
Jun 1951
Swingin’ On A Star
Jan Savitt Orchestra (voc) Buddy Welcome

‘One Night Stand’
Trianon Ballroom
Southgate Ca
AFRS Re-broadcast
27 Jul 1944

Set 5

There Goes That Song Again
George Trevare and his Australians (voc) unknown
Comm Rec
Sydney
1943
Do Nothing Till You Here From Me
Harry James Orchestra (voc) Helen Forrest
Palladium Ballroom
KNX CBS LA
1944
Blue Profile
Glen Gray and the Casa Loma Orchestra
Hotel New Yorker
WJZ Blue NY
May 1944
Old Fashioned Love
Eddy Howard Orchestra (voc) Eddy Howard
Aragon Ballroom
WGN Mutual Chicago
5 Dec 1945
Set 6

Singin’ In The Rain
Claude Hopkins and his Cotton Club Orchestra
Radio Transcription
New York
18 Oct 1935
St Louis Blues
Count Basie Orchestra (voc) Jimmy Rushing
Chatterbox
Hotel William Penn
WCAE NBC Red
Pittsburgh
8 Feb 1937
Hindustan
Bob Crosby Bobcats
‘Camel Caravan’
WABC CBS NY
4 Jul 1939
Cow Cow Boogie
Gene Krupa Orchestra (voc) Anita O’Day
Palladium Ballroom
KNX CBS LA
13 Nov 1942
Set 7

Peg O’ My Heart
Vic Lewis and his Jazzmen
Radio Broadcast
London
8 Aug 1945
I Cover The Waterfront
Sarah Vaughan
Eddie Condon’s Floorshow
WPIX TV NY
13 Dec 1948
Jazz Me Blues
Bobby Hackett Band
‘Chamber Music Society Of Lower Basin Street’
WJZ NBC Blue NY
23 Jun 1940
Stadust
Bunny Berrigan
‘What Is Swing?’
WNEW NY
12 Mar 1936
Set 8

Washington Whirligig
Charlie Barnet Orchestra
Radio Transcription
New York
21 Jul 1944
Open + I Never Knew
Louis Armstrong Orchestra (voc) Louis Armstrong
‘Spotlight Bands’
Blue Network
Dallas Tx
17 Aug 1943
Open + Benny’s Original
Benny Carter Orchestra
‘Jubilee’
AFRS Orchestra
1945
God Child
Chubby Jackson Orchestra
‘Symphony Sid Show’
WMCA NY
12 Mar 1949

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Filed under 1920s, 1920s band, 1920s jazz band, 1930s band, 1940s dance band, australian jazz, dance, drums, entertainment, great gatsby band, jazz, lounge, old time radio, otr, radio, soundie, swing, sydney jazz

Greg Poppleton Poster Django Bar 23 May 2013


Do come to the Django Bar of the Camelot Lounge on Thursday 23 May for a night of toe-tappin’ 20′s croonin’ with Greg Poppleton and the Bakelite Broadcasters. With Geoff Power trumpet and sousaphone and Grahame Conlon tenor banjo. I’ll be singing. Please spread the word. Doors open at 6pm. Music at 8pm. Pizzas are the best in Sydney. Just whipped up a poster…

Greg Poppleton and the Bakelite Broadcasters in the Django Bar

Greg Poppleton and the Bakelite Broadcasters in the Django Bar

The Django Bar is on the corner of Marrickville Road and Railway Parade opposite Sydenham Station

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Phantom Dancer History – 2SER 1st Anniversary 1980


History time, Phantom Dancers,

The very first 2 hour Phantom Dancer (and Program 50 for national listeners) starts this week.

I started The Phantom Dancer on 107.3 2SER Sydney way back in December 1985.

I had already been doing a 15 minute segment of swing and jazz from live 1920s-60s radio and TV within another program called Cityscope since Dec 1984. The segment was called, Hot House, after the song.

Then in December 1985 I was asked to fill in for a vacated time slot. The previous show had been called Jazz Direction Out and I unhappily inherited the name.

However, the show hit the right note with listeners. I even had a few live shows, bring musicians into the studio like James Morrison, John Morrison, Ian Date, Andrew Speight, Ted Heath Goes Latin (the band) and an outside recording of Mic Conway and his Hiccups Orchestra.

And the first request came in, handwritten in blue biro, posted from a motel in Blakehurst on a scrap of pad paper.

The next name for the show after a schedule reshuffle was even worse than Jazz Direction Out. I didn’t choose it. My proposed title, ‘Hot Shit!’, was not accepted (and was at that time illegal). Because the show was in a late lunchtime slot, it got called ‘Swing Sandwich’. Cringe.

In 1989 there was yet another radio schedule reshuffle and the show was moved to 11:30pm – 1am Sunday night – Monday mornings. I called it ‘Round About Midnight’, after the song. Listenership bloomed. And I did a few ‘wacky’ things like a ‘Honeysuckle Rose-a-thon’ and a live mix of women in jazz with excerpts from an episode of Lost In Space. Like, far out, daddy-o!’.

Sunday nights used to start at 6pm for me at 2SER, because that’s when I’d also record, then dub edit, a weekly half-hour quiz show that had a 2 year run on 2SER called, ‘Wordsports’, a word game devised by performance poet Komninos and which I also ran at the Harold Park Hotel.

I also won the first of two BASF Hi Fi Certificates Of Merit for a soundscape called ‘Registered Clubs Of NSW A Musical Legacy,’ and began working in radio professionally.

In 1991 The Phantom Dancer won a BASF Hi Fi Certficate Of Merit for its special, ’42 Years Of TV’, demonstrating that TV had been around much longer than the 25 years the Australian commercial networks had been crowing about that year.

Another reshuffle saw the show put back to a weekday afternoon at 1pm. This, too, was considered a dead spot like late Sunday night, but contrary to expectations, listenership grew some more. In this ‘carnation, I called the show ‘The One O’Clock Jump’.

Another reshuffle shunted the show in 1994 to another then graveyard slot of 10:30am Tuesday morning. But the show did well. And I changed the name to The Phantom Dancer.

Introduced in 1994, The Phantom Dancer was the first 2SER show with a digitally edited theme – and that’s the show theme that’s still in use.

On 8 May 1995, The Phantom Dancer, was the first 2SER show (and possibly one of the first Sydney radio shows) to be wholly digitally produced and edited. The one hour special commemorated the 50th anniversary of the end of WWII in Europe. And it went to air on CD. The hard-to-get CD blank cost me around $30.

In 1997, The Phantom Dancer almost went off-air due to a ‘music producer’ who nevertheless still thought enough of the show to claim in a prestigious jazz dictionary (without telling me) that he ‘produced’ the show. He went on to an academic career.

The Phantom Dancer did have its one only ever producer in 1999. Jo White helped refocus the show and as a result, the show became even more popular in the 2000s and 2010s.

In April 2007, a story on The Phantom Dancer, was the feature article in a Sydney Morning Herald Metro lift out.

In November 2007, The Phantom Dancer, won Best Music Show in the annual national CBAA Radio Awards.

In 2008, the show began to be repeated 6am Sunday mornings.

Then in 2010, the repeat program was moved to 6pm Saturday evenings.

In 2011 I was very honoured to receive a much coveted 2SER volunteers award.

In 2012, The Phantom Dancer, went national. It’s now heard on over 30 radio stations of the Community Radio Network across Australia. It has a particularly strong listenership on the popular ArtsoundFM in Canberra.

And now, as of 30 April 2013, The Phantom Dancer has grown to be two hours long! And I still work professionally in radio – as a voice over artist with RGM Voices (here’s my voicereel) – as well as volunteer.

I suppose that makes me one of the many radio professionals 2SER has created over the years.

Many people have supported and nurtured the Phantom Dancer since 1985 when hair was long, black pants, black coats and black pointy shoes were de rigueur, and swing was a dirty word. The list of names is too long to print here. Most important are the many 2SER Phantom Dancer subscribers who keep Australia’s only live 1920s-60s radio swing & jazz show, and 2SER, on air with their subscriptions and donations. 2SER is a community supported station. Thank you.

Hence, this week’s Phantom Dancer Video of the Week. It’s a mix of 2SER 1st Birthday Idents by Sydney commercial radio personalities for the very first subscriber drive in 1980. Long time 2SER listeners, is that the voice of John Cochrane giving George Donikian some feedback after his first ID read? Enjoy…

Play List – The Phantom Dancer
107.3 2SER-FM Sydney
, Live Stream, Digital Radio

Community Radio Network Show #50

2SER Tuesday 30 April 2013
12 noon – 2:00pm (+10 hours GMT)

Set 1

Open + Ad

Victor Miller Orchestra with Mel Blanc

‘Mel Blanc Show’
KNX CBS Los Angesles
3 Jul 1947

Open (April Showers+ + Baby Face
Al Jolson (voc) Lou Bring Orchestra

‘Kraft Music Hall’
KFI NBC Los Angeles
7 Oct 1948

Mood Indigo
Ted Fio Rito Orchestra
Chez Paree
WGN Chicago
1950
It’s A Long Way To Tipperary
Wally Portingale Orchestra
‘Army On Parade’
2CH AWA Network
Sydney
Sep 1943
Set 2
Back Room Romp (A Contrapuntal Stomp)
Rex Stewart and his 52nd Street Stompers
Comm Rec
New York
7 Jul 1937
Boog It
Glenn Miller Orchestra (voc) Marion Hutton and Band
Cafe Rouge
Hotel Pennsylvania
WJZ NBC Blue NY
5 Apr 1940
Jumpin’ For Maria
Dean Hudson Orchestra
‘One Night Stand’
Blue Room
Hotel Lincoln
New York

AFRS Re-broadcast
11 Nov 1944
Holiday For Strings
Lucky Millinder Orchestra (p) Sir Charles Thompson

‘One Night Stand’
Savoy Ballroom
Harlem, NYC
AFRS Re-broadcast
11 Jun 1946

Set 3

Night Life (Go Up In Smoke)
Stan Kenton Orchestra
Radio Transcription
Los Angeles
Oct 1941
Laura
Charlie Parker Quartet
‘Symphony Sid Show’
WCOP Boston
1954
Ghost Of A Chance
Lester Young
‘Adventures In Jazz’
WCBS TV CBS NY
1952
Walkin’
Andre Previn
London House
WBBM CBS Chicago
1959
Open + Undercurrent Blues
Benny Goodman Orchestra
‘One Night Stand’
Palladium Ballroom
Hollywood
AFRS Re-broadcast
29 Mar 1949
Set 4

Sepulveda
Jimmy Grier Orchestra
Radio Transcription
Los Angeles
1946
Lamar’s Boogie
Cab Calloway Orchestra
‘One Night Stand’
Club Zanzibar
New York

AFRS Re-broadcast
1945
Winnin’ Boy
Jelly Roll Morton
‘Chamber Music Society Of Lower Basin Street’
WJZ NBC Blue NY
14 Jul 1940
When You And I Were Young Maggie
Fats Waller
Panther Room
Hotel Sherman
WMAQ NBC Red Chicago
3 Dec 1940
Set 5

Sorta Blue
Graeme Bell
Comm Rec
Sylvania Hotel
Sydney
Jan 1960
Never On Sunday
Duke Ellington Orchestra
‘One Night Stand’
Steel Pier
Atlantic City

AFRTS Re-broadcast
1964
Have I Told You Lately?
Tony Bennett (voc) Gene Krupa Trio
‘Guard Sessions’
Hollywood
1963
My Love Is Blue
Russ Morgan Orchestra
Dunes Hotel
KLAV CBS Las Vegas
19 Jul 1969
Set 6

RIde Tenderfoot Ride
Dick Jurgens Orchestra (voc) Eddy Howard
Radio Transcription
New York
1938
Open + In A Minor Mood
Bob Crosby Orchestra
‘Swing Concert’
Congress Hotel
WMAQ NBC Red Chicago
18 May 1937
News From Europe
WABC CBS NY
30 Oct 1938
The Moon Was Yellow
Billy Cotton Orchestra (voc) Alan Breeze
Comm Rec
London
19 Jan 1935
Set 7

Washington Squabble
Claude Hopkins Orchestra
Radio Transcription
New York
1935
Caravan
Bunny Berrigan Orchestra
Manhattan Centre
WNEW NY
26 Sep 1939
Babs + Baby Brown
Inkspots
WEAF NBC Red NY
9 Aug 1935

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Sydney’s 1920s Speakeasy Jazz Band in 1929 Essex Roadster


Here are some pictures taken by the Tony Atkinson, President, Hudson-AMC Car Club of Aust., of Greg Poppleton and the Bakelite Broadcasters gathered about the club’s beautifully restored 1929 Essex Roadster

The Hudson-AMC Car Club of Australia is dedicated to the preservation of cars built by the Hudson, Nash and American Motors Corporation.

Greg Poppleton and the Bakelite Broadcasters are Sydney’s 1920s Speakeasy and 1930s Swing Trio – Sextet. We feature Sydney’s only authentic 1920s – 1930s singer, Greg Poppleton, and world-touring vintage swing jazz musicians.

Greg Poppleton and the Bakelite Broadcasters are in demand for weddings, corporate functions, parties and historical occasions

The Hudson-AMC Car Club and Greg Poppleton and the Bakelite Broadcasters were at the annual Fairfield Museum Fair. Thank you, Tony, for the pictures…

Greg Poppleton and the Bakelite Broadcasters around the 1929 Essex Roadster

Greg Poppleton and the Bakelite Broadcasters around the 1929 Essex Roadster. In the Bakelite Broadcasters, singer Greg Poppleton seated with megaphone, Geoff Power big silver sousaphone and trumpet, Paul Baker banjo, Adam Barnard drums and washboard

Greg Poppleton and the Bakelite Broadcasters - Sydney's 1920s Speakeasy Trio - Sextet

Greg Poppleton and the Bakelite Broadcasters – Sydney’s 1920s Speakeasy Trio – Sextet

The 1929 Essex Roadster belonging to the Hudson-AMC Club of Australia

The 1929 Essex Roadster belonging to the Hudson-AMC Club of Australia

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Greg Poppleton, 1920s Crooner, with 10 Year Old Drummer in the Victoria Room


Hello Bakeliters,

Here are a couple of pictures of a special Greg Poppleton and the Bakelite Broadcasters line-up put together for last night’s Sunday Carnival in the Victoria Room, Darlinghurst.

Greg Poppleton, 1920s-30s singer with The Bakelite Broadcasters for Sunday carnival in the Victoria Room, Darlinghurst

Greg Poppleton, 1920s-30s singer with The Bakelite Broadcasters for Sunday carnival in the Victoria Room, Darlinghurst

On piano was Monique Lysiak from the Siren’s Big Band. On the drums, Damon Poppleton, who is now ten. And that’s me, Greg Poppleton, singing in my fancy new duds and spurning the use of the microphone. (I’ve a big voice, anyway.) Photos are by Jimmy Vargas and, since I didn’t ask whether he wanted his name in this blog, the photo with Damon was kindly snapped by a long-time Phantom Dancer listener.

Damon Poppleton, drums, Monique Lysiak, piano, Greg Poppleton, vocals on St Louis Blues

Damon Poppleton, drums, Monique Lysiak, piano, Greg Poppleton, vocals on St Louis Blues

And look, you can see in a sign on top of the piano in the background. I says, ‘CDs $20′. That’s how much the latest Greg Poppleton and his Bakelite Broadcasters CD is on Bandcamp ($10 digital download, $1 a track), with Paul Furniss, Geoff Power, Al Davey, Grahame Conlon, Rod Herbert and Lawrie Thompson. Aren’t I cheeky?

It’s amazing the people you meet in the Victoria Room, including an early rock-n-roller (and his wonderful partner) who had drummed for Frankie Avalon, Fabian and Annette Funicello amongst others and is now part of the jazz scene in Sydney.

We hope to be back in the Victoria Room in the Spring.

Some good news today is that the 1920s Greg Poppleton and the Bakelite Broadcasters (Trio), with Geoff Power on sousaphone and trumpet, is booked into the new Django Bar in the Camelot Lounge on Thursday evening, 23rd May.

More details closer to the date.

Abby Dobson from Baby et Lulu will be singing in the Camelot Lounge that night.

Camelot Lounge, 19 Marrickville Rd  Marrickville

Camelot Lounge, 19 Marrickville Rd Marrickville

We hope to see you in the Django Bar, opposite Sydenham Station, on Thursday 23 May!

Django Bar in the Camelot Lounge, Marrickville Rd & Railway St opposite Sydenham Station

Django Bar in the Camelot Lounge, Marrickville Rd & Railway St opposite Sydenham Station

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Czech Swing & Harmony Singing From 1941


On this week’s Phantom Dancer we highlight Benny Goodman’s swing band, swing sextet and his bop group in three different radio broadcasts. See the play list below

And the Video of the Week: a German swing song (Hmm Hmm) by the great Czech swing band and singers, R.A. Dvorsky and the Allan Sisters recorded in 1941. Enjoy!

Play List – The Phantom Dancer
107.3 2SER-FM Sydney
, Live Stream, Digital Radio

Community Radio Network Show #46

2SER Tuesday 9 April 2013
12 noon – 1:30pm (+10 hours GMT)

2SER Saturday 13 April 2013
6 – 7:30pm (+10 hours GMT)

Set 1

Confessin’

Count Basie (organ) Nonet

Comm Rec
Boston
7 Sep 1954

Open + Skyliner
Charlie Barnet Orchestra

‘One Night Stand’
AFRS re-broadcast
2 Jun 1944

It’s A Beautiful Day
Chuck Foster Orchestra
‘One Night Stand’
Ice Terrace Room
Hotel New Yorker
AFRS re-broadcast
13 Aug 1945
Chatanooga Shoe Shine Boy
Jack Smith (voc) Margaret Whiting also heard. Frank deVol Orchestra
‘Oxydol Show’
KNX CBS LA
1950

Set 2
Festival Swing ’41
French All-Star Orchestra
Paris Radio
26 Dec 1940
That’s My Weakness Now + I Love You
Denis Segay and the Savings Bonds Orchestra (voc) The Three Singing Dollars
‘Guest Star’
New York
24 Jan 1954
Janine
Clyde McCoy Orchestra
‘Jubilee’
AFRS Hollywood
Oct 1943
Birmingham Special
Glen Gray and the Casa Loma Orchestra
‘GI Jive’
AFRS Hollywood
1945
Set 3

Annoying Evening Rain
Bai Hing (voc) Orchestra
Comm Rec
Pathe
Shanghai
1948
She’s Funny That Way
Frank Sinatra (voc)
‘Vimms Vitamins Show’
WABC CBS NY
16 Aug 1944
Rislaia
Vincent Lopez Orchestra
‘One Night Stand’
Grill Room
Hotel Taft, New York
AFRS re-broadcast
1959
Intermezzo
Benny Goodman Orchestra
‘One Night Stand’
Palladium Ballroom
Hollywood
AFRS re-broadcast
29 Mar 1949

Set 4

Let Me Off Uptown
Lucky Millinder Orchestra (voc) Trevor Bacon
Comm Rec
New York
18 Feb 1942
Umbrella Man
Benny Goodman Sextet
‘Camel Caravan’
WABC CBS NY
10 Jan 1939
Jam With Sam
Duke Ellington Orchestra
Blackkawk Restaurant
WMAQ NBC Chicago
30 Jul 1952
Jumpin’ At The Woodside
Benny Goodman Orchestra
WEAF NBC NY
9 Sep 1939
Set 5

There Goes That Song Again
George Trevare Orchestra with vocal
Comm Rec
Sydney
1944
On The Sentimental Side
Lee Wiley
KHJ Mutual Don Lees
Los Angeles
31 Mar 1938
Can’t Help Lovin’ That Man
Mildred Bailey (voc) Woody Herman Orchestra
‘Wild Root Show’
NBC
8 Feb 1946
I’ll Get By
Billie Holliday
‘Spotlight Bands’
Metropolitan Opera House
WJZ Blue Network
New York
18 Jan 1944
Set 6

Gandy Dancer
George Hall Orchestra
Radio Transcription
New York
1937
When My Dreamboat Comes Home
Count Basie Orchestra
Savoy Ballroom
New York
30 Jun 1937
Hold Tight + Close
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WEAF NBC Red NY
18 Apr 1939

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Filed under 1930s band, 1940s dance band, australian jazz, dance, entertainment, jazz, lounge, old time radio, otr, swing, sydney jazz, Uncategorized

1920s Hot Jazz Quartet At The Fairfield Museum Fair


Here are some happy snaps for you of Greg Poppleton and the Bakelite Broadcasters at the 2013 Fairfield Museum fair, celebrating 30 years of the Fairfield Museum, Horsley Drive, Smithfield, with songs from the 1920s and 1930s

Greg Poppleton and the Bakelite Broadcasters at the Fairfield Museum Open Day singing the songs of the 1920s

Greg Poppleton and the Bakelite Broadcasters at the Faifield Museum Open Day singing the songs of the 1920s

 

Greg Poppleton, singer in blue, with Geoff Power, sousaphone, and Paul Baker, banjo (Adam Barnard, drums, out of shot)

Greg Poppleton, singer in blue, with Geoff Power, sousaphone, and Paul Baker, banjo (Adam Barnard, drums, out of shot)

There’s also some pics of the band posing in a restored 1929 Essex 6 taken by the Hudson Car Club. I’ll post them as soon as I get them emailed to me

Swing dancers on the day at Fairfield: SwingKatz. Also on stage was a Spanish choir and Uruguayan drummers

Greg Poppleton and the Bakelite Broadcasters are a trio to sextet with Sydney’s only authentic 1920s-30s singer specialising in swing and jazz from the 1920s and 1930s. Please visit the band website: www.bakelitejazz.com. We play for all occasions

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Doin’ The Charleston Album


The latest independent release by Greg Poppleton and the Bakelite Broadcasters is pure 1920s in flavour and available on Bandcamp

With the same maverick spirit that produced ‘The Phantom Dancer’ (the sold-out first CD and the award-winning, national community radio show), ‘Doin’ The Charleston’, is the long-awaited second album from Greg Poppleton & The Bakelite Broadcasters

Recorded live-in-studio in just 5 hours, ‘Doin’ The Charleston’, is the first document of Greg Poppleton & The Bakelite Broadcasters as a purely Roaring 20s Speakeasy 5-piece. There are more layers, more stylistic tangents than before, with a DNA recovered from the very bones of smoking, catchy, 1920s speakeasy pop. At the forefront is the undeniably authentic and unique Roaring 20s vocal style of Greg Poppleton

A pre-release spin of ‘Doin The Charleston’ at the 2012 Sydney Fringe Festival had swing dancers crowding the dance floor

Greg Poppleton is very proud of the results, “For me, ‘Doin’ The Charleston’, is all about the songs, how they line up, intertwine, switch partners and promenade home”

Greg has expanded his 3.5 octave sonic palette with a long list of influences to forge his own sound. Heir to a tradition of finely-crafted, dramatic, confessional music that explores the ups and downs of life and love with a keenly-observed honesty that touches all who hear, Greg Poppleton is backed by what really is an all-star speakeasy band of world-touring jazz musicians…

Paul Furniss weaves shimmering, infectious, toe-tapping anthems using soprano, alto, tenor saxophones and clarinet. Al Davey wails, growls and caresses on trumpet and trombone. He brings together the brightest elements and darkest undertones in a unique blend of unshackled two-beat. Grahame Conlon’s banjo demands attention weaving audacious fat chords around the pulsing, minimalist sousaphone loops of Rod Herbert and ARIA nominee Geoff Power and the chemically infused drum beats and bootleg hooch washboard laid down by Bell band legend, Lawrie Thompson

The quintet makes lullabies, lush dreamy vintage pop, and the powerful, bone-rattling immediacy of hot, danceable jazz. Vocal hooks are inescapable, lush productions uncannily authentic to the Roaring 20s, as sophisticated and pristine as anything on a 78 disc. ‘Doin’ The Charleston’s’ 14 tracks (including a bonus alternate take on the soaring St James Infirmary) trace a unique aesthetic universe that is fully-crafted and fully-realised, deftly walking the lines between joyous exhilaration and otherworldly rapture, pleasure-centre pop and total self-possession

It has been described as the Temperance Seven meets’ Don Byron’s Bug Music

Greg Poppleton & The Bakelite Broadcasters’ is a universe that invites exploration and demands revisiting. ‘Doin’ The Charleston’ is a journey from darkness to light, from anger to love, from chaos to order. Buy at Bandcamp, CD Baby and bakelitejazz.com

Greg Poppleton and the Bakelite Broadcasters Trio for a 30th Birthday at the ArtHouse

Greg Poppleton and the Bakelite Broadcasters Trio for a 30th Birthday at the ArtHouse

‘Doin’ The Charleston’ has been featured by Bob Rogers in a one hour special on the album over 2CH and the Macquarie Network, Sydney. It has also been CD of the Week on ArtSoundFM Canberra and Jazz Album of the Week on 5MBS Adelaide

Former jazz critic for The Australian newspaper, Kevin Jones, wrote about ‘Doin The Charleston’…

“Even in the 21st century, the music of the so-called jazz age (the Roaring Twenties) still holds a fascination for many, judging by the number of bands which play this style of music world-wide. The Bakelite Broadcasters, led by vocalist Greg Poppleton, keeps the 1920s’ flag flying in Sydney as this enjoyable disc, the second by the group, shows.

They are mostly pre-Swing Era songs written before Benny Goodman launched jazz’s most popular years at the Palomar Ballroom in Los Angeles on August 21, 1935 ranging from Paul Dresser’s My Gal Sal (1907) to Fats Wallers’ I’m Gonna Sit Right Down And Write Myself A Lettter (1935) and include The Charleston (1923) and Sweet Lorraine and Button Up Your Overcoat (both written in 1928)
Listening to the 1929 recording by the Mound City Blue Blowers of I Ain’t Got Nobody and My Gal Sal shows the Broadcasters have captured the basic sound. Not surprising when you consider the group includes musicians of the calibre of Paul Furniss (reeds) Al Davey (trumpet and trombone) and Lawrie Thompson (drums and washboard) who show how well they have mastered the style. Grahame Conlon (tenor banjo) makes a mockery of those many banjo jokes with his rollicking solo on The Road To Gundagai. As for the leader, some may find his voice a little affected at times but he has captured that decade’s vocal style to perfection especially on Falling in Love Again sung in both English and German. As enjoyable as they are to listen to The Bakelite Broadcasters must be even better live.”

Enjoy!

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