I hope you enjoy this latest snippet uploaded from You Tube of Greg Poppleton and his Bakelite Dance Band ‘live and unplugged’ from the glamorous Castle Lounge of Penrith RSL, just a brickbat’s throw from the even more glamorous Dame Joan Sutherland Performing Arts Centre
Caption: I Can’t Give You Anything But Love by Greg Poppleton and his Bakelite Dance Band (Greg Poppleton (voc) Grahame Conlon (g) Darcy Wright (db) Bob Gillespie (d))
We open with a tribute to Opera. I preface our rendition of the jazz opus in F major, “I Can’t Give You Anything But Love” with a peek behind the drama cooking in the aria “Nina” by Pergolesi
OK, I’m not 100% accurate with the word-by-word translation in the clip below or in my rendering of the original Italian that follows, but the point is made – our operatic hero is stuffed ’cause Nina’s a stiff. Our hero also seems to have anosmia – no sense of smell…
Tre giorni son che Nina,
In letto se ne sta.
Pifferi, timpani, cembali!
Svegliate mia Ninetta.
Acciό non dorma più.
It’s been 3 days, Nina
Don’t stay in bed
Whistles, tympanies, cymbals!
Wake up my little Nina
Wake up and smell the coffee
Music lovers, be assured, especially those of you who actually have an acute sense of smell, that as you watch this clip of our little band below, that whiff you might begin to pick up on as you listen – that’s not from something dead under your chair, it’s the singer! Enjoy…
Caption: Exactly Like You. Guffaws and groove aside, this reviewer asks, if this is swing, where are the dancing girls?
PS: – The CD Greg is taking about in the video clip that will make a lovely coaster for your coffee table is the band’s Phantom Dancer CD: 14 songs from 1926 – 1939. Only 5 are left at CD Baby for only $US 12.97 + Postage. Get yours now while they’re still available
Band Review by Tony Deff, Jazz Critic, Penrith Bugle
“When the Bugle’s editor-in-chief told me to cover the action at Greg Poppleton & his Bakelite Dance Band’s show in the Castle Lounge last Saturday afternoon, he added, “And use a lot of superlatives. These boys need a break. The bass player has played for Tony Bennett. For crying out loud, that’s a suit outlet!”
Well I thought at the time that superlatives meant extra strong laxatives. Turns out I didn’t need them…
On entering the Castle Lounge I was instantly struck by the show’s stage designer, the flamboyant Coco de Lamé
“Sorry,” she apologised afterwards. “From behind you look just like that bitch of an agent, Noah. He hasn’t paid me in months.”
Lamo, as she is affectionately known, went on to explain her stage concept to me for the band.
“It’s all about irony, darling.,” she purred. “The curtains along the back wall suggest inevitability. The plain wall down one side, domesticity. The toilet door in the background refers to the music.” (See video below)
At that I hastily excused myself
The bandleader gave the downbeat, 1,2,3,4,5 and the dance floor filled with dancers
As a learned music critic, I make the following notes about the band…
1. Grahame Conlon, guitar. The guitar Grahame plays has 6 strings. Each string makes a different sound. Played in combination, Grahame is able to create a palette of sounds that follow the melody. Sometimes in the middle of a tune he makes up his own melody. This is called improvisalisation
2. Darcy Wright, double bass. I don’t know how he does it. Playing the guitar must be hard enough. Granted, the bass has two fewer strings. But on the bass the strings go up and down instead of side by side. A totally new direction in jazz. Crazy, man.
3. Bob Gillespie, drums. Bob had a lot of drums in his kit. I noted that the bigger the drum, the deeper the boom. The cymbals (pronounced symbols, I’m reliably told) make a metallic ting. The only suggestion this set of ears has is that there should be a square drum placed slightly to the right of the drummer and up a bit. The square drum would fill the round hole I sensed percussionistically.
4. Greg Poppleton, singer. Do singers have to sing? This jazz critic for one says a big fat NO. What’s wrong with skiddily-diddily bed-ee bop? Now that’s jazz. As for presentation, his dress wasn’t short enough. In fact he was wearing a suit!
Band manager and agent Noah Problemo, whose roster of real stars include the Koala Suit Stompers, Hot Harmonica Hepcats and Vegemite on Toast – The Musical, (where I occasionally cameo as ‘Ol’ Crusty’), was surprisingly upbeat about the band, “Some laughs, some songs, (I winced). But too many people on the dance floor – not enough bums on seats.”
“Do you mean like in a soup kitchen,” this jazz reviewer parried wittily.
Noah stopped a passing drunk. “Go tell the band to stop that noise for a minute. I’m trying to talk to the man from the Bugle!”
“So how would you put Greg Poppleton & his Bakelite Dance Band in a nutshell?” I grilled the legendary agent.
“I don’t like putting bands in nutshells,” Noah huffed. “Jazz critics are always asking me to put bands in nutshells. It’s impossible!” His eyes brightened. “Unless, of course, I get the set designer to build me a big nutshell on stage to put the band in for the 8 January show. But how do I get Lamo to do all that for nothing?” Noah laughed as the obvious came to him. “I’ll tell her it’ll be great for her portfolio.”
At that, the band stumbled back on stage for their seventh set and I had to race back to the toilets – to write this review, of course
So what do I think of the band? Well, in a nutshell, this inky-fingered hack gives Greg Poppleton and his Bakelite Dance Band two fingers”
Bakelite Band Website
Official website of Greg Poppleton & Bakelite Jazz – Sydney’s only 1920s -1930s Singer & duo to sextet Band
Bakelite Jazz CD
Hear & Buy The Phantom Dancer: 14 Swinging Songs from 1926 – 1939 by Greg Poppleton & his Bakelite Dance Band at CD Baby
Band YouTube Channel
Latest Greg Poppleton & Bakelite Jazz Clips. Plus lots of Vintage YouTube Weirdness
MySpace
Greg Poppleton & Bakelite Jazz songs from our Phantom Dancer CD and recent live recordings
Charleston Dance Teacher
Kim-lin is a Charleston dance teacher and 1920s enthusiast. She teaches a regular class in Reading, UK, on Thursday nights, and also run workshops before tea dances, vintage club nights, dinner dances, and at festivals and events