1920s Soiree


The client is holding a series of parties celebrating the music most associated with the ten decades of the 20th Century.

Who to book for their 1920s soiree to ensure it’s a success?

The band they chose to entertain and represent that roaring decade was Australia’s only authentic 1920s-30s singer, Greg Poppleton, because…

Greg Poppleton Makes Jazz Deco Pop!

Greg Poppleton 1920s microphone at 1920s soiree
Greg Poppleton 1920s microphone at 1920s soiree

IMPRESSED

Greg Poppleton brought along his quartet of world-toured jazz musicians. Their authentic, swinging style certainly impressed – and won over a lot of people who had never heard 1920s jazz before.

The smiles, the spontaneous  little dances here and there, all those who stopped to intently listen, and the nice people who came up to compliment the band after each set, told me that the band was fulfilling its brief.

Greg Poppleton, Australia's only authentic 1920s-30s singer
Greg Poppleton, Australia’s only authentic 1920s-30s singer

THE BRIEF

To provide atmosphere as friends and colleagues met in the courtyard to socialise, network and do business.

SOUND

So the music was low, yet energetic. People could talk easily and come and go as they please. The owner of the bar and restaurant next to the courtyard thanking us as both he and we packed up said it all.

The band was largely acoustic with two 100W speakers for the vocals and banjo, mixed wirelessly via ipad. Guitar and double bass used a small amp each and the clarinet and alto sax did not need to be mic’d at all to be heard clearly.

BOOKINGS

Enquire about having Greg Poppleton for your event and celebration.

Greg Poppleton jazz deco band. Grahame Conlon guitar and banjo / Greg Poppleton 1920s-30s singer / Dave Clayton double bass obscured / Paul Furniss clarinet and alto sax.
Greg Poppleton jazz deco band. Grahame Conlon guitar and banjo / Greg Poppleton 1920s-30s singer / Dave Clayton double bass obscured / Paul Furniss clarinet and alto sax.
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Saving A Big Band Show For A Client


Initially the client wanted a big band. They’d already advertised the show as ‘Swing Era’, ‘Glenn Miller’,  ‘Big Band’.

But a budget blow-out meant that the client needed a smaller band urgently – a band that could still create a big sound and a dynamic show through an energetic singer and front man.

The Solution:
Call Australia’s only authentic 1920s-30s singer – the client went for the six-piece Greg Poppleton jazz deco band.

After that, no-one in the client group, or the audience, gave the ‘Swing Era’, ‘Glenn Miller’ Big Band a second thought.

Greg Poppleton is Australia’s only authentic 1920s-30s singer and band leader.

He delivered a mix of Jazz Deco swingers and ballads in English, Spanish, German and Italian, with the following band line-up:

Greg Poppleton – authentic 1920s-30s singer
Al Davey – trumpet and trombone
Paul Furniss – alto sax and clarinet
Grahame Conlon – swing guitar and banjo
Dave Clayton – double bass
Lawrie Thompson – swing drums
SwingKatz – swing dance lessons and demonstration

The Result:
The audience sang along and filmed and laughed and danced for a two hour show including lunch.

The client said they would definitely book the band again.

Greg Poppleton jazz deco band and SwingKatz swing dancers
Greg Poppleton jazz deco band and SwingKatz swing dancers

Sound:

Because of the size of the room and the number of guests, 130, we provided our own digital sound system.

We created a pleasant sound for the audience mixed by our engineer with ipad via a wireless connection.

This is something we can do for audiences up to 5000 people.

We filled the big band’s shoes and more. Need an exciting band?

Band Enquiries: tony@ozmanagement.com
Band Website: gregpoppletonmusic.com

How’d It Look and Sound?

We Put On A ‘Helluva’ Show. And I Met Mrs Sparkle.


What do you do?

The venue you’re playing at has been undercut by not one, but two, nearby venues.

Audience numbers are down.

What do you do?

Well, if you’re Greg Poppleton at Mosman Bowling Club today, you put on a ‘helluva’ show for the club and the beautiful people who came to see and hear us.

Greg Poppleton Jazz Deco singer channeling the spirits of the 1920s and 1930s
Greg Poppleton Jazz Deco singer channeling the spirits of the 1920s and 1930s

You put on an intimate show – singing to each of the 40 guests individually -from the stage and table by table.

You bring people together and get the audience singing.

You tell personal stories, weave in an amazing anecdote about a song or two or three, and you sing a request or two that brings a tear to the eyes of the requesters.

Greg Poppleton and an over the shoulder shot of some of the audience at Sunday Jazz in Mosman Bowling Club
Greg Poppleton and an over the shoulder shot of some of the audience at Sunday Jazz in Mosman Bowling Club

And you have a swinging band:

Greg Poppleton – 1920s-30s vocals
Grahame Conlon – banjo and guitar
Dave Clayton – double bass
Adam Barnard – drums and washboard

The Greg Poppleton swing rhythm section. Adam Barnard drums and washboard, Dave Clayton double bass, and Grahame Conlon guitar and banjo
The Greg Poppleton swing rhythm section. Adam Barnard drums and washboard, Dave Clayton double bass, and Grahame Conlon guitar and banjo

In short, you create a ‘helluva’ show with great musicians that makes everyone happy. In fact, everybody left today with a smile and a desire to come back for more. Many left clutching a Greg Poppleton CD sold to them by Bev Evans. A CHILDHOOD HERO.

Having a special occasion? GREG POPPLETON MAKES JAZZ DECO POP!

The Copasetic 1920s – 1930s Jazz Singer and Band are absolutely the Bee’s Knees. 1.17 Million Total YouTube views. We’ll make your special occasion sparkle, too.  Enquire now.

Mosman Bowling Club presents a different top notch jazz band for your enjoyment on the first Sunday of every month, 2 – 4:30pm. And they welcome new players and members, too. Get in touch.

A guest photo. Greg Poppleton and Dave Clayton . double bass singing, 'Yes, We Have No Bananas'.
A guest photo. Greg Poppleton and Dave Clayton . double bass singing, ‘Yes, We Have No Bananas’.

MRS SPARKLE
Bev Evans was Mrs Sparkle in the Mr Sheen ads. Her talent made the ads hugely successful. As a result, she became Australia’s leading hand and placement model.

I used to watch Mrs Sparkle on TV as a very little kid and marvel at how natural she was while being incredibly precise in her movements. I’ve been in 60 TV commercials myself and looking natural while being ‘big’ as a TVC requires is a rare skill.

And I loved the music. Little did I know then that the song was ‘Mr Gallagher and Mr Sheen’, written in 1922. No, I’m not a ‘make-a-quick-buck-off-the-Great-Gatsby-movie’ blow-in. I’ve loved the music of the 1920s and 1930s eversince I first saw Louis Armstrong on TV when I was three years old.

Here’s  Mrs Sparkle selling Mr Sheen on 1960s TV

Hot 1920s Jazz – Hot Show – Over 40C (+100F) In The Shade


Yep, it was hot, hot, hot and windy at Jazz at the Pines in Dural today, music-wise and weather-wise.

It’s autumn here, but the temperature at today’s Greg Poppleton Jazz At The Pines show reached 40 celsius. That’s over 100 F.

The show was booked out. We learnt today from the organisers that Greg Poppleton is the most popular band that plays Jazz at the Pines. As always we play a mix of sings from the 1920s and 30s including some sung in German, Spanish and Italian.

We’ll be back at Jazz at the Pines, Sunday 19 March 2019. So Book Early.

Greg Poppleton 1920s - 30s singer and Geoff Power trumpet at Jazz at the Pines
Greg Poppleton 1920s – 30s singer and Geoff Power trumpet at Jazz at the Pines

But the weather was so hot and sunny, some people decided not to risk sunburn or heatstroke.

But under the shady pines, all was fine.

Thank you to everyone who made it and lasted the distance. We even had a couple of sound failures earlier on with the hot, gusty winds. Lucky my trusty 1920s megaphone and an opera trained voice provided all the vocal amplification until a wind-loosened cable to the speakers was fixed.

I took a picture of the band.
– Geoff Power trumpet and trombone
– Grahame Conlon guitar and banjo
– Ian Baker tuba
– Lawrie Thompson drums

I asked them to forgo the usual suit and ties. It was 40C after all.

Greg Poppleton band, Jazz At The Pines. Greg Poppleton 1920s-30s singer (behind the camera) Geoff Power tp/tb, Grahem Conlon g/bj, Ian Baker tuba, Lawrie Thompson drums.
Greg Poppleton band, Jazz At The Pines. Greg Poppleton 1920s-30s singer (behind the camera) Geoff Power tp/tb, Grahem Conlon g/bj, Ian Baker tuba, Lawrie Thompson drums.

Greg Poppleton is Australia’s only authentic 1920s – 30s singer. To book Greg for your event, contact Tony at OzManagement:
0407 941 263
info@ozmanagement.com

20 March 2018 Phantom Dancer – Miff Mole Pioneer 1920s Jazz Trombonist


Miff Mole was a trombone player who became famous in the jazz world of the 1920s. And we’ll be hearing radio broadcasts by Miff on this week’s The Phantom Dancer.

The Phantom Dancer is two hours of non-stop swing and jazz mixed from live 1920s – 1960s radio and TV.

Now in its 33rd year, The Phantom Dancer is produced and presented by Greg Poppleton, Australia’s only authentic 1920s-1930s singer.

On this week’s Phantom Dancer you’ll also hear a set of live vintage radio by Nat King Cole, Marion Hutton and Charlie Spivak.

Broadcast 12:04pm Tuesdays 107.3 2SER Sydney then over 22 radio stations and online.

HEAR The Phantom Dancer live-streamed then online on the Radio 2SER website.

 

MIFF MOLE…

…was the stage name of Irving Milfred Mole (March 11, 1898 – April 29, 1961).

He was a jazz trombonist and band leader. He created ‘the first distinctive and influential solo jazz trombone style.’

Miff Mole’s soloing style had rapid-fire cadenzas, octave-leaps and shakes. He was a big influence on later trombonists Bill Rank, Glenn Miller, Tommy Dorsey, and Jimmy Harrison.

His heyday was the mid-1920s when he recorded popular and critically acclaimed records with such stars as Sophie Tucker (Red Hot Mama (1924)) and Bix Beiderbecke (Davenport Blues (1925)).

Miff Mole studied classical violin and piano as a child. He picked up the trombone age 15. He was playing professionally by 1920 and went on to play in some of the greatest New York City bands in the Jazz Age.

TROMBONE

Miff Mole played in the Original Memphis Five (1922), and with Ross Gorman, Roger Wolfe Kahn, Sam Lanin, Ray Miller and many others. With cornetist Red Nichols, he led Miff Mole and His Little Molers, recording from 1926 – 1930.

Miff Mole waxed sides with a lot of Red Nichols ‘aggregations’: The Red Heads, The Hottentots, The Charleston Chasers, The Six Hottentots, The Cotton Pickers, Red and Miff’s Stompers, and Red Nichols and His Five Pennies.

But Miff’s style became ‘old-hat’ when Jack Teagarden arrived in New York in 1928. Teagarden brought a more legato, blues-oriented approach to jazz.

After the 1920s, Miff Mole took to radio as an NBC studio musician until 1938 when he joined Paul Whiteman’s orchestra. By then, even Mole had been influenced by Teagarden. He was in Benny Goodman’s orchestra from 1942-43 and led various dixieland bands, one of which we hear on today’s Phantom Dancer – his Nixieland Six – from 1942-47. He worked in Chicago in 1947–54 when bad health reduced the amount of playing he did. He died in 1961.

Miff Mole’s records have been used in the soundtracks of two twenty-first century movies.

His 1928 recording of ‘Shim-Me-Sha-Wabble’ with the Little Molers was used in Russell Crowe;s movie, Cinderella Man.

His composition ‘There’ll Come a Time (Wait and See)’, is heard in the Academy Award-nominated movie, The Curious Case of Benjamin Button.

Your Phantom Dancer Miff Mole Video of the Week – Miff Mole hanging out on a hotel rooftop in 1943. Enjoy!

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #308

107.3 2SER Tuesday 20 March 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
The Lesser Known 1940s Dance Bands
Straighten Up and Fly Right (theme) + Sunday + Ad + Wildroot Creme Oil Song
Nat King Cole Trio (voc) NCK
‘King Cole Trio Time’
KFI NBC LA
6 Mar 1948
Open + Little Joe From Chicago (theme) + Boogie a la King
Nat King Cole Trio (voc) NCK
Radio Transcription
1959
Go Bongo + Close
Nat King Cole Trio (bongos) Jack Costanza
‘Just Jazz’
Shrine Auditorium LA
AFRS Re-broadcast
1945
Set 2
1950s Modern Jazz Radio
Leap Frog (Theme) + At Sundown
Les Brown Orchestra
‘Treasury Bandstand’
Hershey Park Ballroom
WLAN ABC Lancaster PA
1957
Always
Kai Winding
‘All-Star Parade of Bands’
Birdland
WNBC NBC NY
2 Sep 1952
Perdido
Ray Anthony Orchestra
‘Jubilee’
AFRS Hollywood
25 Dec 1952
Set 3
Hot Music on 1930-32 Radio
Coca Cola Waltz (theme) + So Sympathetic
Leonard Joy and the Coca Cola Orchestra
‘Coca Cola Top Notchers’
WEEI NBC Boston
26 Mar 1930
Bugle Call Rag
George Olsen Music
’Lucky Strike Orchestra’
WEAF NBC Red NY
1 Dec 1932
Whistling in the Dark + Sweet and Lovely (close)
Gus Arnheim Orchestra
’Cocoanut Grove’
Radio Transcription
Hollywood
1931
Set 4
Pop Singers 1950s-60s Radio
Open + Baby, I Want It
Frankie Laine
‘Navy Star Time’
Radio Transcription
Hollywood
1952
Cheek to Cheek
Rosemary Clooney
‘Bing Crosby Show’
KNX CNS LA
19 Oct 1960
I Get a Kick Out of You + Period (close)
Sarah Vaughan
‘All-Star Parade of Bands’
Birdland
WNBC NBC NY
21 Apr 1952
Set 5
Marion Hutton sings on 1938-39 Radio
Oh, Johnny, Oh!
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WJZ NBC Blue NY
5 Dec 1939
The Jumping’ Jive
Glenn Miller Orchestra (voc) Marion Hutton
NBC Radio
Baltimore
5 Sep 1939
I Just Got a Letter
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WJZ NBC Blue NY
6 Dec 1939
In a Russian Foxhole
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WJZ NBC Blue NY
18 Apr 1939
Set 6
Charlie Spivak on 1940s Radio
After I Say I’m Sorry
Charlie Spivak Orchestra (voc) The Stardusters including Marion’s sister June
Radio Transcription
New York City
1941
Stomping Room Only
Charlie Spivak Orchestra
Palladium Ballroom
KNX CBS Hollywood
4 Apr 1948
20 May 1940
Besume Mucho
Charlie Spivak Orchestra
‘One Night Stand’
Century Room
Commodore Hotel NYC
AFRS Re-broadcast
1944
Massenet’s Elegy
Charlie Spivak Orchestra
Palladium Ballroom
KNX CBS Hollywood
Apr 1948
20 May 1940
Set 7
Miff Mole
Davenport Blues
Red and Miff’s Stompers
Comm Rec
New York City
11 Feb 1927
Peg o’ My Heart
Miff Mole Nixieland Six
‘For The Record’
WEAF NBC NY
30 Oct 1944
Nobody’s Sweetheart
Irving Mill’s Hotsy Totsy Gang (tb) Miff Mole
‘Brunswick Brevities’
WABC CBS NY
Oct 1928
Waiting For The Evening Whistle + Bugle Call Rag
Eddie Condon Group (tb) Miff Mole
‘Eddie Condon Jazz Concert’
Town Hall
WJZ Blue NY
30 Sep 1944
Set 8
Charlie Barnet
Makin’ Whoopee
Charlie Barnet Orchestra
Casino Gardens
Ocean Park Ca
KECA ABC LA
Dec 1946
Come To Baby Do
Charlie Barnet Orchestra (voc) Lena Horne
‘Jubilee’
AFRS Hollywood
1945
Strolling
Charlie Barnet Orchestra
Aircheck
Dec 1945
Dear Old Southland + Close
Charlie Barnet Orchestra
‘Spotlight Bands’
Ft Devon, Mass
Blue Network
15 Oct 1945

Singing 1920s Songs on The Highlander and The Hydro Express, Roaring 20s Festival


We took a trip on a train, and we thought about you.

Saturday 24 February and Sunday 25 February, Greg Poppleton authentic 1920s-30s singer, and Grahame Conlon guitar, serenaded passengers on two special historic train trips run by friends at the NSW Rail Museum.

And here am I, holding a contemplative show, thinking about you and the 1920s songs I’m about to sing. The location is the wooden 1920s guards van, the duo’s ‘green room’, in one of these historic trains…

SATURDAY – THE HIGHLANDER

The train on Saturday was The HIghlander, a 1950s diesel. Here it is at Bowral…

The Highlander took passengers to Bowral in the Southern Highlands for lunch.

Then, the train traveled along the scenic Unanderra-Moss Vale railway line, down the Illawarra escarpment and returned to Sydney via the South Coast and through the Royal National Park.

 

SUNDAY – THE HYDRO EXPRESS

On Sunday, the Hydro Express took party-goers on a scenic day trip to the Blue Mountains for High Tea at the historic Hydro Majestic Hotel during the Roaring 20s Festival.

Here’s Grahame and I on The Hydro Express…

The Roaring 20s Festival is the festival where I’ve been singing for dancers with the band at the Great Art Deco Ball since 2012.

At Central Station, before heading up the mountains, I took this snap of The Hydro Express’  observation carriage…

And here was the view from the observation carriage as The Hydro Express pulled into Medlow Bath station in the mountain mist…

And a photo of myself and one of the passengers on the observation desk, showing off our 1920s double-breasted pinstripe suits!

Greg Poppleton and Hydro Express Train guest wearing double breasted pin-stripe suits

To book Greg Poppleton’s 1920s-30s band and orchestra for your event,
contact Tony Jex at OzManagement…
0407 941 263
info@ozmanagement.com

27 Feb Phantom Dancer – Errol Buddle Dead, The Last Australian In The Australian Jazz Quintet.


The Phantom Dancer is presented by authentic 1920s – 30s singer, Greg Poppleton.

It’s your two hour non-stop mix of swing and jazz from live 1920s – 1960s radio and TV.

Hear the mix after the 27 Feb broadcast at radio 2ser.com

This week, The Phantom Dancer, bids farewell to Sydney jazz identity, jazz bassoon and sax great –  the last Australian in the Australian Jazz Quartet, Errol Buddle.

Errol died last week and The Phantom Dancer brings you a broadcast he made with the AJQ in 1956.

australian jazz quartet

AUSTRALIAN JAZZ QUARTET/QUINTET

The broadcast of the Australian Jazz Quintet is from Birdland as part of the NBC Radio Series ‘The All-Star Parade of Bands’.

I make these cultural observations about the broadcast:

1. Fred Collins, NBC announcer, network jazz DJ and ‘expert’, obviously doesn’t know what to do with The Australian Jazz Quintet. He comes across like he hasn’t done his research. He’s polite, almost seeming to damn with very faint praise. And the AJQ get short shrift from Fred in the promotion department.

2. The All-Star Parade of Bands usually has two bands doing 13 minutes each with an ad in between as the second band sets up. In this broadcast, the AJQ do two songs in the middle and the closing theme. Most of the show is given to Carmen McRae.

3. The American in the AJQ is the spokesman for the group on the radio.

4. The AJQ use voicings and phrasings that hark back to the Australian dance bands of the late 30s and 1940s. This, as well as jazz bassoon, must have sounded uncomfortable to New York jazz ears who went for an overload of the safe and familiar with Carmen.

5. The NBC live recording for the AJQ is rather indistinct sounding. Carmen and her pianist is much more present in the radio mix.

 

WHO WERE THE AJQ?

They were three Australians and one American. The Australians were Errol Buddle (bassoon and tenor saxophone), Bryce Rohde (piano), and Jack Brokensha (vibraphone and percussion).

ajq

Errol Buddle, who played in the Sydney Jazz Scene , died last week.

Bryce Rohde returned to the U.S. from Australia in 1965 and played in the San Francisco jazz scene until he died in 2016.

Jack Brokensha returned to Detroit after the 1958 AJQ Australian tour.  He was hired by Berry Gordy of Motown Records as a percussionist. He was one of the few white members of Motown’s Hitsville U.S.A. recording studio’s house band, The Funk Brothers. He was given the nickname “White Jack”, to distinguish him from Jack Ashford, an African American percussionist nicknamed “Black Jack”.

 

THE AJQ STORY

Errol Buddle, Bryce Rohde and Jack Brokensha went to Windsor, Ontario, Canada in 1952, across from the U.S. city of Detroit with the aim of touring the U.S as a trio. Initially they had visa troubles. For a while, Errol Buddle played bassoon in the Windsor Symphony. A chance booking on WXYZ-TV Detroit for Brokensha after being spotted at a Windsor gig led to all three getting visas and regular TV, recording and club work in Detroit. There they met the fourth member of the AJQ, who you hear talking on the Birdland broadcast, Richard J. (Dick) Healey (alto sax, clarinet, flute, bass).

Because what happened next is so detailed, I will quote directly from the Wikipedia article on the AJQ

“Early 1954 appearances on the Detroit WXYZ-TV show “Soupy’s On” led comedian Soupy Sales to recommend the group to a Detroit suburb club owner Ed Sarkesian to accompany jazz vocalist Chris Connor for two weeks at the club (Rouge Lounge in River Rouge, a Detroit suburb) and to have the group perform between each of her sets. Since Buddle had been playing bassoon regularly with the Windsor Symphony, Healey and Rohde quickly decided to make arrangements for the flute-bassoon-vibes combination, giving the group a distinctive sound. This unusual instrumentation created much interest in the quartet, not only from jazz enthusiasts, but also from classical music aficionados. During the two-week engagement with Connor, Sarkesian contacted Joe Glaser of Associated Booking Corporation in New York. Sarkesian named the group The Australian Jazz Quartet/Quintet, and based on a quickly recorded 78 disk, he garnered a five-year contract with ABC and Bethlehem Records for the group. Sarkesian then became the group’s personal manager, which worked out very well because he also soon became a major promoter of jazz concerts and festivals.

Under the new arrangement with ABC the AJQ performed at the Blue Note in Chicago and on a concert in Washington DC. with the Dave Brubeck Quartet, the Modern Jazz Quartet, and Carmen McRae. Soon they began playing at clubs like The Hickory House, Birdland (jazz club), Basin Street, and the Roundtable in New York; the Blue Note, Modern Jazz Room, and Robert’s Show Room in Chicago; Storyville in Boston; Jazz City in Los Angeles; Macumba in San Francisco; Sonny’s Lounge in Denver; Peacock Alley in St. Louis; Rouge Lounge in Detroit; Peps and Blue Note in Philadelphia; Midway Lounge in Pittsburgh; Colonial in Toronto, Ball & Chain in Miami and many others. At many of these clubs the AJQ shared the band stand with well-known groups such as the Dave Brubeck Quartet, Les Brown Orchestra, Johnny Smith Quartet, Bud Shank Quartet, Miles Davis, Pete Jolly Trio, J. J. Johnson, Max Roach-Clifford Brown Quintet, Art Blakey Quintet, Teddy and Marty Napoleon Quartet, Bud Powell Trio, Thelonious Monk, Conte Candoli/Al Cohn Quintet, Ahmad Jamal Trio, Don Shirley Trio, Lee Konitz Quartet, Woody Herman, Billie Holiday and others.

National concert tours took place in 1955–57. In 1955 there was the “Modern Jazz Show” with the Dave Brubeck QuartetGerry Mulligan, and Carmen McRae. In 1956 there was “Music For Moderns” with Count BasieErroll Garner, the Kai Winding Septet, the Chico Hamilton Quintet, and the Gerry Mulligan Quartet. In 1957, there was again “Music For Moderns” with the George Shearing Quintet, the Gerry Mulligan Quintet, Chico Hamilton, Helen MerrillCannonball Adderley, and Miles Davis. These tours included performances at major concert halls, including Carnegie Hall in New York.

The AJQ appeared on several national television shows, the most notable being the Steve Allen Tonight Show, The Dave Garroway Today Show, The Arthur Godfrey Show, In Town Tonight Chicago, and the Ed Mackenzie and Soupy Sales Shows from ABC in Detroit. On the Radio they were heard on CBS’s “Woolworth Hour”, NBC’s “Monitor”, and ABC’s “Parade of the Bands”.

During 1955 to 1958 the AJQ recorded seven albums under the Bethlehem label. The first album, distinguished by its cover illustrated by four side-by-side kangaroos, was a 10″ LP recorded in February 1955 and featured arrangements of eight standard songs. A 12″ version of this album, released in 1956, added three standards and one original song by bassist Jimmy Gannon, who also assisted on the recording. Meanwhile, another album, this one with scores of kangaroos on its cover, was released with 10 songs including two originals, one by Gannon and the other by Healey.

In 1958 the group travelled to Australia for The Australian Concert Tour for the Australian Broadcasting Corporation (ABC). Also, there were TV and Radio Broadcasts, and, in Melbourne and Sydney, there were concerts with Sammy Davis Jr. These performances were broadcast nationally by the ABC. After the 1958 tour the group members decided to terminate the AJQ and become independent performing and recording artists. However, reunion concerts occurred in Adelaide in 1986 and 1993, and a recording of the 1993 concert was distributed.”
https://en.wikipedia.org/wiki/The_Australian_Jazz_Quartet

errol buddle

ERROL BUDDLE – YOUR PHANTOM DANCER VIDEOS OF THE WEEK!

Your Phantom Dancer ‘Video of the Week’ features Errol Buddle on tenor in a cameo about Sydney jazz club, The El Rocco. Good to see some of the extras at least tried to get ’80s versions of early 1960s short back and sides.

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #305

107.3 2SER Tuesday 27 February 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
1950s Dance Bands on Radio
Theme + Komonoi Ostrow
Lawrence Welk Orchestra
Aragon Ballroom
Ocean Park Ca
KECA ABC LA
1955
South
Chuck Cabot Orchestra
Empire Room
Rice Hotel
CBS Houston
Apr 1953
Show Me The Way To Get Out Of This World (That’s Where Everything Is) + Will You Still Be Mine? (Theme)
Matt Dennis
‘All-Star Parade of Bands’
Chi-Chi Club
WRCA NBC NYC
13 Jun 1955
Set 2
Bands on 1936 Radio
Theme + I’ve Got Rhythm
Freddy Rich Orchestra
‘Dodge Show’
Radio Transcription
New York City
13 Feb 1936
Christopher Columbus
Fred Waring and his Pennsylvanians (voc) Band
‘Ford Show’
WABC CBS NY
14 Apr 1936
Hallelujah
Johnny Green Orchestra
‘Packard Hour’
KFI NBC LA
11 Mar 1936
Set 3
Australian Jazz Quintet
Spring Is Here + The Fire Dance
Australian Jazz Quintet
’All Star Parade of Bands’
Birdland
WRCA NBC NY
1956
You’re My Thrill + Coming Down To Earth
 Carmen McRae
 ’All Star Parade of Bands’
Birdland
WRCA NBC NY
1956
Lullaby of Birdland
 Australian Jazz Quintet
’All Star Parade of Bands’
Birdland
WRCA NBC NY
1956
Set 4
Cocoanut Grove Radio 1933-34
Lady Play Your Mandolin
Vincent Valsanti Orchestra (voc) The Playmates
Cocoanut Grove
Radio Transcription
Los Angeles
1934
Making Faces At The Man In The Moon
Gus Arnheim Orchestra (voc) Loyce Whiteman
‘Cocoanut Grove’
Radio Transcription
Hollywood
1931
Dancing With The Daffodils + Sweet and Lovely (theme)
Gus Arnheim Orchestra
Cocoanut Grove
Radio Transcription
Los Angeles
1931
Set 5
Jazz Tenor Sax Stars On Radio
Too Marvellous For Words
Chu Berry and his Stompy Stevedours
Comm Rec
New York
23 Mar 1937
Body and Soul (theme) + Chant of the Groove
Coleman Hawkins Orchestra
Aircheck
Savoy Ballroom
Harlem
4 Aug 1940
I Cover The Waterfront
Lester Young
‘Symphony Sid Show’
Royal Roost
WMCA NY
4 Dec 1948
Long Island Sound
Stan Getz
‘Stars of Modern Jazz’
Carnegie Hall
Voice of America
25 Dec 1949
Set 6
1939 Radio Dance Bands
Way Back In 1939 AD
Gray Gordon Tic-Toc Rhythm Orchestra (voc) Cliff Grass
Radio Transcription
New York City
1939
Concerto for Trumpet
Harry James Orchestra
Chatterbox Club
Mountainside NJ
Aircheck
1940
Scatterbrain
Blue Barron Orchestra
Radio Transcription
New York City
1939
Theme + Over The Waves
Bob Crosby Orchestra
‘America Dances’
CBS NY and BBC London
1939
Set 7
Swing on 1943 Radio
Take The A-Train (theme) + Way Low
Duke Ellington Orchestra
Hurricane Restaurant
WJZ NBC Blue
28 Aug 1943
Blackberry Jam
Glen Gray and the Casa Loma Orchestra
‘Spotlight Bands’
Columbus OH
Blue Network
19 Nov 1943
T’aint What You Think
Les Brown Orchestra
‘Spotlight Bands’
Miami FL
Blue Network
10 Aug 19435
Jumpin’ Jiminy + Close
Jimmy Dorsey Orchestra
Cafe Rouge
Hotel Pennsylvania
WABC CBS NY
Mar 1943
Set 8
1950s – 60s Swing On Radio and TV
One O’Clock Jump (theme) + Blee Blop Blues
Count Basie Orchestra
‘Stars in Jazz’
Birdland
WNBC NBC NY
14 Jan 1953
Hamp’s Boogie Woogie
Lionel Hampton Orchestra
‘Second Timex All-Star Jazz Concert’
CBS TV
30 Apr 1958
What Is This Thing Called Love + My Funny Valentine
Charlie Shavers Quartet
London House
WBBM CBS Chicago
May 1962