Personal Hygiene Film For Young Girls (c 1920) – Phantom Dancer 19 June


It’s Phantom Dancer time Tuesday on radio and online – your two hour non-stop mix of swing and jazz from live 1920s-60s radio with Greg Poppleton.

What’s on?

Well, there’s a set of ‘Sweet Bands’ from live 1930s-40s radio and some early late night Benny Goodman from 1935. The Velvet Fog, Mel Torme, sings two songs including one when aged 17 in front of Chico Marx’s Orchestra on a CBS Fitch Bandwagon and the last hour is all vinyl.

Hear the show after it’s broadcast 19 June online at 2ser.com

Tirelessly searching YouTube for a swingy, jazzy, instructive, or ‘weird and wonderful’ Video of the Week, I’ve found something curiously wonderful – a circa 1920s ‘Women’s Hygiene’ film. It actually is medically educational (and educational as a social history) though the shower scene does verge on the pseudo-educational sexploitation films of the 1950s-60s. Enjoy!

Make sure you come back to this blog, Greg Poppleton’s Radio Lounge, every Tuesday, for the newest Phantom Dancer play list and Video of the Week!

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #320

107.3 2SER Tuesday 19 June 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing on 1950s Radio
One O’Clock Jump + Sixteen Men Swinging
Count Basie Orchestra
‘Saturday Night Rock’n’Roll Dance Party’
Paramount Theatre, Brooklyn
WCBS CBS NY
1956
Sitting In The Sun
Les Brown Orchestra (voc) JoAnn Greer
‘All-Star Parade of Bands’
Palladium Ballroom
KFI NBC LA
12 Oct 1953
Capital Idea + (theme)
Dorsey Brothers Orchestra
‘All-Star Parade of Bands’
Magnolia Room
Hotel Claridge
WMC NBC Memphis
19 Jun 1953
Set 2
Swing Dance Bands on 1942-44 Radio
Open + Abraham
Chico Marx Orchestra (voc) Mel Torme
‘Fitch Band Wagon’
Blackhawk Restaurant
WBBM CBS Chicago
20 Dec 1942
Was It Like That?
Lionel Hampton Orchestra (voc) Dinah Washington
‘One Night Stand’
Civic Auditorium
Oakland Ca
AFRS Re-broadcast
4 Jun 1944
One Night Stand + Close (Coca Cola Waltz in 4/4 Swing)
Denny Beckner Orchestra
‘Spotlight Bands’
Norfolk, Virginia
AFRS Re-broadcast
30 Mar 1944
Set 3
Navy Star Time Singers 1952 Radio
Baby, That Ain’t Right
Frankie Laine (voc) Buzz Adlam Orchestra
‘Navy Star Time’
Radio Transcription
Hollywood
1952
I Hadn’t Anyone Till You
Mel Torme (voc) Buzz Adlam Orchestra
‘Navy Star Time’
Radio Transcription
Hollywood
1952
I’ll Get By + Close
Jo Stafford (voc) Buzz Adlam Orchestra
‘Navy Star Time’
Radio Transcription
Hollywood
1952
Set 4
1946 Radio Swing
Instrumental
Harry James Orchestra
‘Spotlight Bands ‘
El Patio Playhouse
KHJ Mutual LA
13 Apr 1946
Begin The Beguine
Bobby Sherwood Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
3 jun 1946
Blue Moon + Summertime
Bob Crosby Orchestra
‘One Night Stand’
Palladium Ballroom
Hollywood
AFRS Re-broadcast
3 Dec 1946
Set 5
1934 – 36 Radio Bands
There’s Something In The Air
Red Nichols Orchestra
Radio Transcription
New York City
1936
Robins and Roses
Lee Wiley (voc)
WABC CBS NY
17 Jun 1936
Christopher Columbus
Isham Jones Orchestra
WOR Mutual NY
13 Mar 1936
Goodbye
Benny Goodman Orchestra
‘Let’s Dance’
WEAF NBC Red NY
2 Feb 1935
Set 6
Big Bands 1942-45 Radio
McGhee Special
Andy Kirk and his 12 Clouds of Joy
Comm Rec
New York City
14 Jul 1942
Open + Smiles
Charlie Barnet Orchestra
‘For The Record’
WEAF NBC NY
11 Sep 1944
Slip Of The Lip
Duke Ellington Orchestra
‘Fourth War Loan Drive’
WEAF NBC NY
1 May 1943
One O’Clock Jump (open) + Unidentified Time
Johnny Otis Orchestra
‘Jubilee’
AFRS Hollywood
Oct 1945
Set 7
Sweet Bands on 1930-40s Wireless
You Are My Dream
Gray Gordon and his Tic Toc Rhythm Orchestra (voc) Cliff Glass
Radio Transcription
New York City
1939
It Was Just One Of Those Things
Russ Morgan Orchestra
Biltmore Hotel
Los Angeles
13 May 1946
Words Of Love
Eddy Howard Orchestra
Aragon Ballroom
WGN Mutual Chicago
5 Dec 1945
It’s A Whole New Thing
Blue Barron Orchestra (voc) Charlie Fisher
Radio Transcription
New York City
1938
Set 8
Bop Inspired Radio
Moppin’ The Blues
Pete Brown Quintette
Comm Rec
New York City
11 Jul 1944
A Minor Thing + In Your Own Sweet Way
Dave Brubeck Quartet
Basin Street
WCBS CBS NY
Feb 1956
Theme
Harold Rumsey Lighthouse Five
Hermosa Beach Ca
‘Monitor’
WRCA NBC NY
12 Jun 1955
High On An Open Mike
Fats Navarro (tp) Bill Harris (tb) Alen Eager, Charlie Ventura (ts) Ralph Burns (piano) Al Valente (g) Chubby Jackson (b) Buddy Rich (d)
‘Saturday Night Swing Session’
WNEW NY
12 Apr 1947
Fine and Dandy
Slim Gaillard Quintet
‘Symphony Sid Show’
WJZ ABC NY
2 Jun 1951
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12 June Phantom Dancer A&P Gypsies


The Phantom Dancer, heard every week over radio 2SER 107. 3 Sydney, 23 Australian radio stations and online, is your non-stop mix of swing and jazz from live 1920s-60s radio and TV.

Presented by Greg Poppleton, you can hear Phantom Dancer episodes online at 2ser.com.

THIS WEEK’S PHANTOM DANCER MIX
– has sets of swing bands from 1940s radio, bop and hard bop from 1950s radio, 1943-45 commercial recordings by the Sydney swing orchestra of George Trevare, a set of women jazz singers on-air with the Duke Ellington Orchestra on 1930s-50s radio and more. See the play list below.

A & P GYPSIES
One of the curiosities on today’s Phantom Dancer is part of a weekly broadcast from 1933 of one of the last of the 1920s commercial brand orchestras. In this case, the orchestra is the A&P Gypsies.

A&P, otherwise known as the Great Atlantic & Pacific Tea Company, was a U.S chain of grocery stores that ceased supermarket operations in November 2015, after 156 years in business.

ipana troubadours

U.S radio historian Elizabeth McLeod writes about these commercial brand orchestras,

“The most popular program format of the late 1920s was the sponsored musical feature. It could be a large symphonic group, a dance orchestra, or a song-and-patter team—and it would usually carry the sponsor’s name. The A&P Gypsies, for example—a large, genre-crossing orchestra conducted by Harry Horlick. The Ipana Troubadors—a hot dance band directed by Sam Lanin. The Goodrich Zippers—a banjo-driven orchestra conducted by Harry Reser, when he wasn’t leading the same group under the name of The Clicquot Club Eskimos. Everyone remembers The Happiness BoysBilly Jones and Ernie Hare—but what about Scrappy Lambert and Billy Hillpot, who performed exactly the same sort of material as Trade and Mark, The Smith Brothers. The list is endless: The Silvertown Cord Orchestra, featuring the Silver Masked Tenor. The Sylvania Foresters. The Flit Soldiers—yet another Harry Reser group. The Champion Sparkers. The Fox Fur Trappers. The Ingram Shavers, who were the Ipana Troubadours on alternate Wednesdays. The Yeast Foamers. The Planters Pickers. And, the magnificently named Freed-Eisemann Orchestradians. All playing pretty much the same sorts of music, all announced by Phillips Carlin or John S. Young or Alwyn Bach or Milton Cross in pretty much the same sort of stiffly formal style.”

Your Phantom Dancer Video of the Week this week is a 1929 commercial recording by the A&P Gypsies, ‘Only The Girl’. Happy Listening…

Make sure you come back to this blog, Greg Poppleton’s Radio Lounge, every Tuesday, for the newest Phantom Dancer play list and Video of the Week!

Thank you.

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #322

107.3 2SER Tuesday 12 June 2017
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
2RRR Gladesville Thurs 11am – 12
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing 1940-44 Radio
Theme + Chopping Wood
Woody Herman Orchestra
Famous Door
WEAF NBC Red NY
7 Jan 1940
It’s a Crying Shame
Woody Herman Orchestra (voc) Frances Wayne
Cafe Rouge
Hotel Pennsylvania
WABC CBS NY
21 Aug 1944
Flying Home
Lionel Hampton Orchestra
’One Night Stand’
Civic Auditorium
Oakland Ca
4 Jun 1944
Set 2
Jazz Organ and Harpsichord
Sunrise Serenade (theme) + This Is The Missus
Rosa Rio
’Rosa Rio Time’
WJZ ABC NY
14 Jul 1947
Tea For Two
Johnny Saab
’Organ Interlude’
WJSV Washington DC CBS
21 Sep 1939
The Turkish March
Sylvia Marlowe (harpsichord)
’Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
17 Dec 1941
Set 3
Latin Strains On 1930s-40s Radio
Theme + Chiu Chiu
Desi Arnez Orchestra (voc) DA and Band
Ciro’s
KECA ABC LA
1947
Habenero and Vacero
A&P Gypsies
’A&P Show’
WEAF NBC Red NY
1933
Night Must Fall + Nightingale + My Shawl (theme)
Xavier Cugat Orchestra
’All-Star Parade of Bands’
Last Frontier
NBC Las Vegas
30 Nov 1953
Set 4
Bop and Hard Bop on 1950s Radio
Strike Up The Band
Pete Brown Quintet
’One Night Stand’
Birdland
WNBC NBC NY
2 Sep 1952
Happy Birthday + Body and Soul
Sarah Vaughan
’Stars in Jazz’
Birdland
WNBC NBC NY
26 Mar 1953
Out of Nowhere + Jumping With Symphony Sid
Charlie Parker
Hi-Hat Club
WCOP Boston
24 Jan 1954
Set 5
Women Singers with the Duke Ellington Orchestra on 1930s-50s Radio
In A Mizz
Ivie Anderson (voc) Duke Ellington Orchestra
Ritz Carlton Hotel
WNAC NBC Boston
26 Jul 1939
Riff Staccato
Joya Sherrill (voc) Duke Ellington Orchestra
’One Night Stand’
Club Zanzibar
AFRS Re-broadcast
28 Oct 1945
Take The ‘A’ Train
Betty Roche (voc) Duke Ellington Orchestra
‘Jubilee’
AFRS Hollywood
Jan 1948
I Ain’t Got Nothin’ But The Blues
Kay Davis and Al Hibbler (voc) Duke Ellington Orchestra
’Date With The Duke’
Radio City
WJZ ABC NY
10 Nov 1945
Set 6
Commercial Sides: George Trevare and His Australians
Don’t Sweetheart Me
George Trevare Orchestra (voc) Joan Blake
Comm Rec
Sydney
1943-45
Under The Trees
George Trevare Orchestra (voc) Lawrence Brooks
Comm Rec
Sydney
1943-45
No Love No Nothin’
George Trevare Orchestra (voc) Al Royal
Comm Rec
Sydney
1943-45
Let’s Have One For The Road
George Trevare Orchestra (voc) Unknown
Comm Rec
Sydney
1943-45
Set 7
Glenn Miller and his Orchestra 1939 – 41 Radio
Intro + Here We Go Again + White Cliffs of Dover
Glenn Miller Orchestra (voc) Ray Eberle
’Sunset Serenade’
Cafe Rouge
Hotel Pennsylvania
WJZ NBC Blue NY
27 Dec 1941
Georgia On My Mind
Glenn Miller Orchestra
’Sunset Serenade’
Cafe Rouge
Hotel Pennsylvania
WJZ NBC Blue NY
30 Aug 1941
Blueberry Hill
Glenn Miller Orchestra (voc) Marion Hutton
’Sunset Serenade’
Cafe Rouge
Hotel Pennsylvania
WJZ NBC Blue NY
6 Nov 1940
My Blue Heaven + Close
Glenn Miller Orchestra
NBC Baltimore
5 Sep 1939
Set 8
Kings Of Jazz Trumpet on 1930s-50s Radio
Night Song
Bunny Berrigan Orchestra
Manhattan Centre
WNEW NY
26 Sep 1939
I’m Confessin’ That I Love You
Louis Armstrong
‘Jubilee’
AFRS LA
Mar 1943
It Don’t Mean A Thing
Roy Eldridge (voc) Anita Love
Unissued Comm Rec
Paris
9 Jun 1950
Down South Camp Meeting
Harry James Orchestra (voc) Anita Love
Hotel Astor Roof
WCBS CBS NY
25 May 1953

17 April 2018 Phantom Dancer – Johnny Green Body and Soul


Johnny Green was a U.S composer, songwriter, pianist, band leader and orchestra conductor. His most famous song is ‘Body and Soul’.

On this week’s Phantom Dancer we’ll be hearing a few of the 1930s radio orchestras lead by Johnny Green. Below, your Phantom Dancer Video of the Week is a short film simulating a Johnny Green radio broadcast. The short was made in 1935.

This week you’ll also hear sets with Patti Page, Johnny Ray and Erroll Garner from live 1957 TV and some of the great swing bands from the 1930s live on the 1938-39 BBC series, ‘America Dances’.

Produced and presented by Australia’s only authentic 1920s-30s singer, Greg Poppleton, The Phantom Dancer is your non-stop mix of swing and jazz from live 1920s-1960s radio and TV every week.

Hear this week’s Phantom Dancer (after 17 April) and past Phantom Dancers online at radio 2ser.com

JOHN ‘JOHNNY’ WALDO GREEN

He won four Academy Awards for his film scores and a fifth for producing a short musical film. And he went by the name of John or ‘Maestro’ in his later years.

As you’ll hear on today’s live 1930s radio broadcasts of Johnny Green and his Orchestra, Green couldn’t help but be self-assured.

He entered Harvard at age 15. You’ll hear him talk today on a 1939 aircheck about his early music schooling and his first song as a kid.

Indeed, by the time he was at Harvard, bandleader Guy Lombardo had heard Green’s Gold Coast Orchestra and hired him to create dance arrangements for his nationally famous Lombardo orchestra.

JAZZ STANDARDS

Green’s first song hit was written for the Lombardo orchestra. It was Coquette (1928), which Green wrote when he was 19.

Two years later, in 1930, Green wrote ‘Body and Soul’ which is now a jazz standard.

In the early 30s he was the radio and recording accompanist and arranger to singers James Melton, Libby Holman and Ethel Merman, and as you’ll hear on this week’s Phantom Dancer, Ruth Etting. He was also arranger and conductor for Paramount Pictures.

In this period he also wrote the standards ‘Out Of Nowhere’ (which you’ll hear in play today), ‘Rain Rain Go Away’, ‘I Cover the Waterfront’, ‘You’re Mine You’, ‘I Wanna Be Loved’ (his 1934 Oldsmobile show theme song), ‘Easy Come Easy Go’, ‘Repeal The Blues’ and the theme for Max Fleischer’s Betty Boop cartoons.

johnny green record

Nathaniel Shilkret and Paul Whiteman commissioned Green to write larger works for orchestra, including ‘Night Club: Six Impressions for Orchestra with Three Pianos’.

After spending 1933 in London, where he wrote the first musical comedy ever for BBC Radio, Green returned to New York City where, William S. Paley, president of the Columbia Broadcasting System and an investor in New York’s St. Regis Hotel, encouraged him to form what became known as Johnny Green, his Piano and Orchestra.

And he continued to lead his orchestra in top ranking radio shows into the 1940s, backing singers such as Fred Astaire and Alan Jones.

In the early 40s, Green moved to Hollywood. He became one of the people central to changing the overall sound of the MGM Symphony Orchestra.

ACADEMY AWARDS

He was Music Director at MGM from 1949 to 1959 and was nominated for an Oscar thirteen times. He won the award for the musical scores of Easter Parade, An American in Paris, West Side Story, and Oliver!, as well as for producing the short “The Merry Wives of Windsor Overture”, which won in the Short Subjects (One-Reel) category in 1954.

johnny green an american in paris

After leaving MGM, Green guest-conducted the Chicago Symphony Orchestra, Denver Symphony Orchestra, Philadelphia Orchestra, San Francisco Symphony Orchestra, and Hollywood Bowl Orchestra. He also continued to compose the occasional filmscore, including the critically acclaimed They Shoot Horses, Don’t They? in 1969. He conducted the orchestra for the 1961 United Artists’ film version of West Side Story, for which he won a Grammy.

Green was a chairman of the music branch of the Academy of Motion Picture Arts and Sciences, leading the orchestra through 17 of the Academy Award telecasts.

VIDEO OF THE WEEK

Your Phantom Dancer Video of the Week is a short film from 1935 of a Johnny Green Orchestra broadcast in action, with announcer Harry von Zell. I like the short scene of the ‘old radio listener’ slapping his knee with laughter. Enjoy…

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #311

107.3 2SER Tuesday 17 April 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing Bands on 1944-46 Radio
Theme + Boyd’s Nest
Boyd Raeburn Orchestra
‘One Night Stand’
Club Morrocco
Los Angeles
AFRS Re-broadcast
19 Aug 1946
Begin the Beguine
Bobby Sherwood Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
3 Jun 1946
A Fellow on a Furlough + Blue Skies
Bob Chester Orchestra
‘One Night Stand’
Panther Room
Hotel Sherman
Chicago
AFRS Re-broadcast
8 Oct 1944
Set 2
1950s Hipster Radio
Bling, Bling!
Machito
‘Symphony Sid Show’
Birdland
WJZ ABC NY
1951
Stuffy
Coleman Hawkins and Roy Eldridge
‘Stars in Jazz’
Birdland
WNBC NBC NY
1952
Cherry Blossom + Close
Georgie Auld
‘Here’s To Veteran’s’
Radio Transcription
Hollywood
1954
Set 3
Women Pop Singers on the Air
Open + Poor, Poor People of Paris
Giselle McKenzie
‘Airtime’
Radio Transcription
Hollywood
1945
I Love You, Yes I Do
Ella Mae Morse
‘Here’s To Veteran’s’
Radio Transcription
Hollywood
1954
Cry Me A River
Julie London
‘All-Star Parade of Bands’
The Cameo
WRCA NBC NY
1956
Set 4
Johnny Green on 1930s Radio
Bio + Penny Serenade
Johnny Green Orchestra
‘Fitch Bandwagon’
WEAF NBC Red NY
9 Apr 1939
Out of Nowhere + I Want To Love (theme)
Johnny Green (voc) Ruth Etting
‘Oldsmobile Show’
WABC CBS NY
27 Feb 1934
Row, Row, Row
Johnny Green Orchestra (voc) Ray Bloch Swing 14
‘Rhymo’
WABC CBS NY
26 May 1940
Set 5
Eddy Howard Ballard Singer
Careless (theme) + Thou Swell
Eddy Howard (voc) and his Orchestra
Aragon Ballroom
Mutual Network, Chicago
5 Dec 1945
I Wish I Was A Willow
Eddy Howard (voc) Dick Jurgens Orchestra
Radio Transcription
Los Angeles
1938
Sailboat in the Moonlight
Eddy Howard (voc) and his Orchestra
Radio Transcription
Los Angeles
1939
Medley + So Long For Now (theme)
Eddy Howard (voc) and his Orchestra
Aragon Ballroom
Mutual Network, Chicago
5 Dec 1945
Set 6
1950s Radio Swing Bands
Blue Flame (theme) + Hollywood Blues
Woody Herman Orchestra
Blue Room
Hotel Roosevelt
WWL CBS New Orleans
1951
Hob Nail Boogie
Count Basie Orchestra
Birdland
WNBC NBC NY
31 Aug 1952
Flager’s Drive
Dorsey Brothers’ Orchestra
Meadowbrook Ballroom
Cedar Grove NJ
WCBS CBS NY
1 Jan 1956
Summertime
Claude Thornhill Orchestra
‘One Night Stand’
Steel Pier
Atlantic City NJ
AFRS Re-broadcast
24 Aug 1956
Set 7
America Dances on the BBC
Open + Over The Waves
Bob Crosby Orchestra
‘America Dances’
New York City
BBC London
1939
Every Tub + Song of the Wanderer
Count Basie Orchestra
‘America Dances’
New York City
BBC London
1939
Body and Soul
Teddy Wilson Orchestra
‘America Dances’
New York City
BBC London
1939
Two O’Clock Jump + Close
Harry James Orchestra
‘America Dances’
New York City
BBC London
19 Jul 1939
Set 8
The Big Record TV Show
Intro + I’ve Got My Love To Keep Me Warm
Patti Page
‘The Big Record’
CBS TV NY
27 Nov 1957
Ad + Cry + Soliloquy of a Fool
Johnny Ray
‘The Big Record’
CBS TV NY
27 Nov 1957
Where or When + Tea For Three
Erroll Garner
‘The Big Record’
CBS TV NY
27 Nov 1957

3 April 2018 Phantom Dancer. Helen Keller On How The Deaf Heard Radio Music In The 1920s


There’re some rare, rare early jazz radio broadcasts for your listening pleasure on this week’s Phantom Dancer. And below, read an insight from Helen Keller about how radio brought music to the deaf in the 1920s.

The Phantom Dancer is produced and presented by Australia’s only authentic 1920s-30s-style singer and band leader, Greg Poppleton.

The Phantom Dancer is your non-stop mix of swing and jazz from live 1920s-60s radio and TV. It’s made in the studios of 2SER in Sydney. The Phantom Dancer is heard across Australia on stations of the Community Radio Network.

Hear this week’s Phantom Dancer (and past Phantom Dancers online) at radio 2ser.com

Greg Poppleton music website.

In this week’s mix, you’ll hear sets of radio broadcasts by Buddy Rich, Benny Goodman over three days in October 1937 and The Andrew Sisters. There’s also a set of WW2 European dance bands from Prague, Moscow and Hilversum. The Prague recording features Andrew Sisters soundalikes, The Allan Sisters (Allanovy Sestry).

But the rare, rare radio comes from January 1929. Four ‘Sunny Meadows Washing Machine Programs’ featuring the Ray Miller Orchestra. These were recorded on five minute 78 rpm discs – six discs to a 30 minute show.

1920s radio set
1920s radio set

And that got me thinking about 1920s radio and how it was perceived. That’s when I found two letters from 1924 and 1926 quoted by Timmy D. Taylor in his paper, ‘Music and the Rise of Radio in 1920s
America: technological imperialism, socialization, and the transformation of intimacy’, Historical Journal of Film, Radio and Television, Vol. 22, No. 4, 2002.

The two letters come from the very early years of radio as a mass entertainment medium. They both describe how deaf people could ‘hear’ music on the radio.

 

HELEN KELLER REPORTS…

Helen Keller
Helen Keller

The first letter is from the famous deaf and blind social activist, Helen Keller, in 1924.

It is a letter to the Symphony Society of New York and describes her joy at hearing a symphonic concert on WEAF Radio, New York City.

“I have the joy of being able to tell you that, though deaf and blind, I spent a glorious hour last night listening over the radio to Beethoven’s ‘Ninth Symphony.’

I do not mean to say that I ‘heard’ the music in the sense that other people heard it; and I do not know whether I can make you understand how it was possible for me to derive pleasure from the symphony. It was a great
surprise to myself. I had been reading in my magazine for the blind of the happiness that the radio was bringing to the sightless everywhere. I was delighted to know that the blind had gained a new source of enjoyment; but
I did not dream that I could have any part in the joy.

Last night, when the family was listening to your wonderful rendering of the immortal symphony some one suggested that I put my hand on the receiver and see if I could get any of the vibrations. He unscrewed the top, and I lightly touched the sensitive diaphragm. What was my amazement to discover that I could feel, not only the vibrations, but also the impassioned rhythm, the throb and the urge of the music. The intertwined and intermingling vibrations from different instruments enchanted me. I could actually distinguish the cornets, the roll of the drums, deep-toned violas and violins singing in exquisite unison. How the lovely speech of the violins flowed and flowed over the deepest tones of the other instruments! When the human voices leaped up thrilling from the surge of harmony, I recognized them instantly as voices. I felt the chorus grow more exultant, more ecstatic, upcurving swift and flame-like, until my heart almost stood still. The women’s voices seemed an embodiment of all the angelic voices rushing in a harmonious flood of beautiful and inspiring sound. The great chorus throbbed against my Žfingers with poignant pause and flow. Then all the instruments and voices together burst forth—an ocean of heavenly vibration—and died away like winds with the atom is spent, ending in a delicate shower of sweet notes.

Of course, this was not hearing, but I do know that the tones and harmonies conveyed to me moods of great beauty and majesty. I also sensed, or thought I did, the tender sounds of nature that sing into my hand—swaying reeds and
winds and the murmur of streams. I have never been so enraptured before by a multitude of tone-vibrations. As I listened, with darkness and melody, shadow and sound filling all the room, I could not help remembering that the great composer who poured forth such a flood of sweetness into the world was deaf like myself. I marveled
at the power of his quenchless spirit by which out of his pain he wrought such joy for others—and there I sat, feeling with my hand the magniŽficent symphony which broke like a sea upon the silent shores of his soul and mine.

Let me thank you warmly for all the delight which your beautiful music has brought to my household and to me. I want also to thank Station WEAF for the joy they are broadcasting in the world.”

 

JAZZING THE DEAF

The second report about the deaf ‘hearing’ radio in the 1920s comes from ‘Jazzing the deaf by radio’, Popular Radio, March 1926, p. 296.

“This information has been conveyed to Paul Ash, orchestra leader and radio star of KYW in letters from several women who explain that these are the only sounds they have been able to hear and that they enjoy the jazz music although otherwise deaf.

A famous ear specialist of Chicago has become interested in the subject, it is reported, and is conducting a series of tests to determine the possibilities of utilizing this means of ‘bone conduction’ of sound so that those
who have lost normal hearing may through radio have the pleasures of music.

When the unique investigation has been completed the renowned specialist promises the issuance of a report and a test program over the air is to be given with deaf persons asked to ‘listen in’ and to report what they ‘hear’.”

 

VIDEOS OF THE WEEK

Your Phantom Dancer Videos of the Week feature Helen Keller herself.

In the first video, the teacher who taught her to speak, Anne Sullivan (who was blind herself), explains with Helen demonstrating, how Helen learnt to talk after hitherto being dumb as well as deaf and blind. Her first word was ‘it’. Her first sentence, “I am not dumb now.” Be amazed…

And here is a 1919 dramatisation of her childhood. The film is called ‘Deliverance’…

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #309

107.3 2SER Tuesday 3 April 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Russ Morgan his Wah-Wah Trombone and his Orchestra
Does Your Heart Beat For Me?
Russ Morgan Orchestra
Radio Transcription
Los Angeles
1937
Sheik of Araby
Russ Morgan Orchestra
‘One Night Stand’
AFRS Re-broadcast
28 Apr 1944
Open Up That Door and Let Me In + So Long (Close)
Russ Morgan Orchestra (voc) Al Jennings
‘One Night Stand’
Garden Room
Hotel Claremont
Berkeley Ca
AFRS Re-broadcast
28 Jun 1945
Set 2
Andrew Sisters on Radio
Open + Atcheson, Topeka and Santa Fe
Andrew Sisters with Raymond Paige Orchestra
‘Kraft Music Hall’
KFI NBC LA
6 Sep 1945
Begin the Beguine
Andrew Sisters with Glenn Miller Orchestra
‘Chesterfield Show’
WABC CBS NY
31 Jan 1940
White Christmas + Jingle Bells Nash Ad + Apple Blossom Time (Close)
Andrew Sisters with Curt Massey and Vic Schoen Orchestra
‘Nash – Kelvinator Show’
KNX CBS Los Angeles
19 Dec 1945
Set 3
Swing from WWII Europe
Poznate lehce nas rytmus
Allanovy Sestry
Comm Rec
Prague
17 Dec 1942
Baron von der Pschek (Bel Mir Bist Du Schoen)
Leonid Utesov
Comm Rec
Moscow
1943
Ja
De Ramblers (voc) Ferry Barendse and Band
Comm Rec
Hilversum
2 Mar 1944
Set 4
Benny Goodman – 3 Days in October 1937
Stardust on the Moon + Dear Old Southland
Benny Goodman Orchestra
Manhattan Room
Hotel Pennsylvania
WABC CBS NY
20 Oct 1937
Where or When + Someday Sweetheart
Benny Goodman Trio and Orchestra
Manhattan Room
Hotel Pennsylvania
WABC CBS NY
20 Oct 1937
Dixieland Band + Goodbye
Benny Goodman Orchestra (voc) Martha Tilton
Manhattan Room
Hotel Pennsylvania
WOR Mutual NY
23 Oct 1937
Set 5
Duke Ellington on 1951-53 Radio
VIP’s Boogie
Duke Ellington Orchestra
Aircheck
Coeur d’Alene, Idaho
4 Oct 1953
Things Ain’t What They Used To Be
Duke Ellington Orchestra
Meadowbrook Ballroom
Cedar Grove NJ
WNBC NBC New York
11 Jun 1951
Great Times
Duke Ellington Orchestra
Radio Transcription
New York City
11 Feb 1951
Just a Sit-in’ and a Rockin’ + Mood Indigo
Duke Ellington Orchestra
Blue Note
WMAQ NBC Chicago
13 Aug 1952
Set 6
Ray Miller on 1929 Radio
Open + Angry
Ray Miller Orchestra
‘Sunny Meadows Program’
Radio Transcription
Chicago
18 Jan 1929
I’ll Never Ask For More
Ray Miller Orchestra
‘Sunny Meadows Program’
Radio Transcription
Chicago
18 Jan 1929
I Ain’t Got Nobody
Ray Miller Orchestra (voc) Mary Williams
‘Sunny Meadows Program’
Radio Transcription
Chicago
18 Jan 1929
Tell Me Who + There’s No Place Like Home (theme)
Ray Miller Orchestra (voc) Bob Nolan
‘Sunny Meadows Program’
Radio Transcription
Chicago
25 Jan 1929
Set 7
Bob Crosby 1939 Radio
South Rampart Street Parade
Bob Crosby Orchestra
‘Camel Caravan’
WABC CBS New York City
27 Jun 1939
Little Rock Getaway
Bob Crosby Orchestra (piano) Joe Sullivan
‘Camel Caravan’
WABC CBS New York City
4 Jul 1939
O, You Crazy Moon
Bob Crosby Orchestra (voc) Helen Ward
‘Camel Caravan’
WABC CBS New York City
11 Jul 1939
Diga Diga Doo
Bob Crosby Orchestra
‘Camel Caravan’
WABC CBS New York City
18 Jul 1939
Set 8
Buddy Rich Radio
Rain on the Riff (theme) + Cool Breeze
Buddy Rich Orchestra
‘Spotlight Bands’
Phoenixville PA
Mutual
24 Dec 1945
Nellie’s Nightmare
Buddy Rich Orchestra
Aircheck
New York City
1947
In a Prescribed Manner
Buddy Rich Quintet
Birdland
WABC ABC NY
7 Nov 1958

27 Feb Phantom Dancer – Errol Buddle Dead, The Last Australian In The Australian Jazz Quintet.


The Phantom Dancer is presented by authentic 1920s – 30s singer, Greg Poppleton.

It’s your two hour non-stop mix of swing and jazz from live 1920s – 1960s radio and TV.

Hear the mix after the 27 Feb broadcast at radio 2ser.com

This week, The Phantom Dancer, bids farewell to Sydney jazz identity, jazz bassoon and sax great –  the last Australian in the Australian Jazz Quartet, Errol Buddle.

Errol died last week and The Phantom Dancer brings you a broadcast he made with the AJQ in 1956.

australian jazz quartet

AUSTRALIAN JAZZ QUARTET/QUINTET

The broadcast of the Australian Jazz Quintet is from Birdland as part of the NBC Radio Series ‘The All-Star Parade of Bands’.

I make these cultural observations about the broadcast:

1. Fred Collins, NBC announcer, network jazz DJ and ‘expert’, obviously doesn’t know what to do with The Australian Jazz Quintet. He comes across like he hasn’t done his research. He’s polite, almost seeming to damn with very faint praise. And the AJQ get short shrift from Fred in the promotion department.

2. The All-Star Parade of Bands usually has two bands doing 13 minutes each with an ad in between as the second band sets up. In this broadcast, the AJQ do two songs in the middle and the closing theme. Most of the show is given to Carmen McRae.

3. The American in the AJQ is the spokesman for the group on the radio.

4. The AJQ use voicings and phrasings that hark back to the Australian dance bands of the late 30s and 1940s. This, as well as jazz bassoon, must have sounded uncomfortable to New York jazz ears who went for an overload of the safe and familiar with Carmen.

5. The NBC live recording for the AJQ is rather indistinct sounding. Carmen and her pianist is much more present in the radio mix.

 

WHO WERE THE AJQ?

They were three Australians and one American. The Australians were Errol Buddle (bassoon and tenor saxophone), Bryce Rohde (piano), and Jack Brokensha (vibraphone and percussion).

ajq

Errol Buddle, who played in the Sydney Jazz Scene , died last week.

Bryce Rohde returned to the U.S. from Australia in 1965 and played in the San Francisco jazz scene until he died in 2016.

Jack Brokensha returned to Detroit after the 1958 AJQ Australian tour.  He was hired by Berry Gordy of Motown Records as a percussionist. He was one of the few white members of Motown’s Hitsville U.S.A. recording studio’s house band, The Funk Brothers. He was given the nickname “White Jack”, to distinguish him from Jack Ashford, an African American percussionist nicknamed “Black Jack”.

 

THE AJQ STORY

Errol Buddle, Bryce Rohde and Jack Brokensha went to Windsor, Ontario, Canada in 1952, across from the U.S. city of Detroit with the aim of touring the U.S as a trio. Initially they had visa troubles. For a while, Errol Buddle played bassoon in the Windsor Symphony. A chance booking on WXYZ-TV Detroit for Brokensha after being spotted at a Windsor gig led to all three getting visas and regular TV, recording and club work in Detroit. There they met the fourth member of the AJQ, who you hear talking on the Birdland broadcast, Richard J. (Dick) Healey (alto sax, clarinet, flute, bass).

Because what happened next is so detailed, I will quote directly from the Wikipedia article on the AJQ

“Early 1954 appearances on the Detroit WXYZ-TV show “Soupy’s On” led comedian Soupy Sales to recommend the group to a Detroit suburb club owner Ed Sarkesian to accompany jazz vocalist Chris Connor for two weeks at the club (Rouge Lounge in River Rouge, a Detroit suburb) and to have the group perform between each of her sets. Since Buddle had been playing bassoon regularly with the Windsor Symphony, Healey and Rohde quickly decided to make arrangements for the flute-bassoon-vibes combination, giving the group a distinctive sound. This unusual instrumentation created much interest in the quartet, not only from jazz enthusiasts, but also from classical music aficionados. During the two-week engagement with Connor, Sarkesian contacted Joe Glaser of Associated Booking Corporation in New York. Sarkesian named the group The Australian Jazz Quartet/Quintet, and based on a quickly recorded 78 disk, he garnered a five-year contract with ABC and Bethlehem Records for the group. Sarkesian then became the group’s personal manager, which worked out very well because he also soon became a major promoter of jazz concerts and festivals.

Under the new arrangement with ABC the AJQ performed at the Blue Note in Chicago and on a concert in Washington DC. with the Dave Brubeck Quartet, the Modern Jazz Quartet, and Carmen McRae. Soon they began playing at clubs like The Hickory House, Birdland (jazz club), Basin Street, and the Roundtable in New York; the Blue Note, Modern Jazz Room, and Robert’s Show Room in Chicago; Storyville in Boston; Jazz City in Los Angeles; Macumba in San Francisco; Sonny’s Lounge in Denver; Peacock Alley in St. Louis; Rouge Lounge in Detroit; Peps and Blue Note in Philadelphia; Midway Lounge in Pittsburgh; Colonial in Toronto, Ball & Chain in Miami and many others. At many of these clubs the AJQ shared the band stand with well-known groups such as the Dave Brubeck Quartet, Les Brown Orchestra, Johnny Smith Quartet, Bud Shank Quartet, Miles Davis, Pete Jolly Trio, J. J. Johnson, Max Roach-Clifford Brown Quintet, Art Blakey Quintet, Teddy and Marty Napoleon Quartet, Bud Powell Trio, Thelonious Monk, Conte Candoli/Al Cohn Quintet, Ahmad Jamal Trio, Don Shirley Trio, Lee Konitz Quartet, Woody Herman, Billie Holiday and others.

National concert tours took place in 1955–57. In 1955 there was the “Modern Jazz Show” with the Dave Brubeck QuartetGerry Mulligan, and Carmen McRae. In 1956 there was “Music For Moderns” with Count BasieErroll Garner, the Kai Winding Septet, the Chico Hamilton Quintet, and the Gerry Mulligan Quartet. In 1957, there was again “Music For Moderns” with the George Shearing Quintet, the Gerry Mulligan Quintet, Chico Hamilton, Helen MerrillCannonball Adderley, and Miles Davis. These tours included performances at major concert halls, including Carnegie Hall in New York.

The AJQ appeared on several national television shows, the most notable being the Steve Allen Tonight Show, The Dave Garroway Today Show, The Arthur Godfrey Show, In Town Tonight Chicago, and the Ed Mackenzie and Soupy Sales Shows from ABC in Detroit. On the Radio they were heard on CBS’s “Woolworth Hour”, NBC’s “Monitor”, and ABC’s “Parade of the Bands”.

During 1955 to 1958 the AJQ recorded seven albums under the Bethlehem label. The first album, distinguished by its cover illustrated by four side-by-side kangaroos, was a 10″ LP recorded in February 1955 and featured arrangements of eight standard songs. A 12″ version of this album, released in 1956, added three standards and one original song by bassist Jimmy Gannon, who also assisted on the recording. Meanwhile, another album, this one with scores of kangaroos on its cover, was released with 10 songs including two originals, one by Gannon and the other by Healey.

In 1958 the group travelled to Australia for The Australian Concert Tour for the Australian Broadcasting Corporation (ABC). Also, there were TV and Radio Broadcasts, and, in Melbourne and Sydney, there were concerts with Sammy Davis Jr. These performances were broadcast nationally by the ABC. After the 1958 tour the group members decided to terminate the AJQ and become independent performing and recording artists. However, reunion concerts occurred in Adelaide in 1986 and 1993, and a recording of the 1993 concert was distributed.”
https://en.wikipedia.org/wiki/The_Australian_Jazz_Quartet

errol buddle

ERROL BUDDLE – YOUR PHANTOM DANCER VIDEOS OF THE WEEK!

Your Phantom Dancer ‘Video of the Week’ features Errol Buddle on tenor in a cameo about Sydney jazz club, The El Rocco. Good to see some of the extras at least tried to get ’80s versions of early 1960s short back and sides.

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #305

107.3 2SER Tuesday 27 February 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
1950s Dance Bands on Radio
Theme + Komonoi Ostrow
Lawrence Welk Orchestra
Aragon Ballroom
Ocean Park Ca
KECA ABC LA
1955
South
Chuck Cabot Orchestra
Empire Room
Rice Hotel
CBS Houston
Apr 1953
Show Me The Way To Get Out Of This World (That’s Where Everything Is) + Will You Still Be Mine? (Theme)
Matt Dennis
‘All-Star Parade of Bands’
Chi-Chi Club
WRCA NBC NYC
13 Jun 1955
Set 2
Bands on 1936 Radio
Theme + I’ve Got Rhythm
Freddy Rich Orchestra
‘Dodge Show’
Radio Transcription
New York City
13 Feb 1936
Christopher Columbus
Fred Waring and his Pennsylvanians (voc) Band
‘Ford Show’
WABC CBS NY
14 Apr 1936
Hallelujah
Johnny Green Orchestra
‘Packard Hour’
KFI NBC LA
11 Mar 1936
Set 3
Australian Jazz Quintet
Spring Is Here + The Fire Dance
Australian Jazz Quintet
’All Star Parade of Bands’
Birdland
WRCA NBC NY
1956
You’re My Thrill + Coming Down To Earth
 Carmen McRae
 ’All Star Parade of Bands’
Birdland
WRCA NBC NY
1956
Lullaby of Birdland
 Australian Jazz Quintet
’All Star Parade of Bands’
Birdland
WRCA NBC NY
1956
Set 4
Cocoanut Grove Radio 1933-34
Lady Play Your Mandolin
Vincent Valsanti Orchestra (voc) The Playmates
Cocoanut Grove
Radio Transcription
Los Angeles
1934
Making Faces At The Man In The Moon
Gus Arnheim Orchestra (voc) Loyce Whiteman
‘Cocoanut Grove’
Radio Transcription
Hollywood
1931
Dancing With The Daffodils + Sweet and Lovely (theme)
Gus Arnheim Orchestra
Cocoanut Grove
Radio Transcription
Los Angeles
1931
Set 5
Jazz Tenor Sax Stars On Radio
Too Marvellous For Words
Chu Berry and his Stompy Stevedours
Comm Rec
New York
23 Mar 1937
Body and Soul (theme) + Chant of the Groove
Coleman Hawkins Orchestra
Aircheck
Savoy Ballroom
Harlem
4 Aug 1940
I Cover The Waterfront
Lester Young
‘Symphony Sid Show’
Royal Roost
WMCA NY
4 Dec 1948
Long Island Sound
Stan Getz
‘Stars of Modern Jazz’
Carnegie Hall
Voice of America
25 Dec 1949
Set 6
1939 Radio Dance Bands
Way Back In 1939 AD
Gray Gordon Tic-Toc Rhythm Orchestra (voc) Cliff Grass
Radio Transcription
New York City
1939
Concerto for Trumpet
Harry James Orchestra
Chatterbox Club
Mountainside NJ
Aircheck
1940
Scatterbrain
Blue Barron Orchestra
Radio Transcription
New York City
1939
Theme + Over The Waves
Bob Crosby Orchestra
‘America Dances’
CBS NY and BBC London
1939
Set 7
Swing on 1943 Radio
Take The A-Train (theme) + Way Low
Duke Ellington Orchestra
Hurricane Restaurant
WJZ NBC Blue
28 Aug 1943
Blackberry Jam
Glen Gray and the Casa Loma Orchestra
‘Spotlight Bands’
Columbus OH
Blue Network
19 Nov 1943
T’aint What You Think
Les Brown Orchestra
‘Spotlight Bands’
Miami FL
Blue Network
10 Aug 19435
Jumpin’ Jiminy + Close
Jimmy Dorsey Orchestra
Cafe Rouge
Hotel Pennsylvania
WABC CBS NY
Mar 1943
Set 8
1950s – 60s Swing On Radio and TV
One O’Clock Jump (theme) + Blee Blop Blues
Count Basie Orchestra
‘Stars in Jazz’
Birdland
WNBC NBC NY
14 Jan 1953
Hamp’s Boogie Woogie
Lionel Hampton Orchestra
‘Second Timex All-Star Jazz Concert’
CBS TV
30 Apr 1958
What Is This Thing Called Love + My Funny Valentine
Charlie Shavers Quartet
London House
WBBM CBS Chicago
May 1962

13 February Phantom Dancer – Pioneer African-American Singer And Stand-up


Pioneer African-American stand-up comedian, Timmie Rogers, is the focus of this week’s, The Phantom Dancer.

The Phantom Dancer is your non-stop two hour mix of swing and jazz from live 1920s – 1960s radio and TV.

It’s been presented by 1920s-1930s singer and band leader, Greg Poppleton, since 1985.

Hear this show online for the next 4 weeks after the 13 Feb broadcast at radio 2ser.com

On this week’s Phantom Dancer we hear the stars of jazz on Eddie Condon’s 1948 TV ‘Floorshow’. There’s a set of Benny Goodman from 1934-36 radio. And we visit ‘The Supper Club’, an NBC radio show, in 1944-45. The Birdland audience sing ‘Happy Birthday’ to Billy Eckstine live on 1953 radio.

Plus, as mentioned, we hear Timmie Rogers, in live 1945-49 radio appearances. And there’s a bonus live Nat King Cole treatment of a Timmie Rogers song, broadcast from The Trocadero in Hollywood in 1945.

 

TIMMIE ROGERS

US comedian, band leader, singer, composer and actor, Timmie Rogers, was one of the first black comedians who directly addressed a white audience when he worked.

Before Rogers, African-American comedians had to either work in pairs or groups, talking only to each other while playing characters – think Mr Gallagher  and Mr Sheen.

In fact, Timmie Rogers began in vaudeville in 1932 with a partner, Freddie, doing a dance act.

 

STAND-UP PIONEER

He went his own way in 1944 and was an immediate success on radio. Today’s Phantom Dancer features some of Timmie Rogers early radio solo work.

Rogers had been dancing since age 8. He ran away from home at 12 working as a dishwasher. He learnt the languages he heard in the kitchens. He eventually could speak nine languages. He sang in French and German.

While working cleaning ashtrays in a ballroom, absorbed which what was happening on stage, he was invited to dance between acts. That was the beginning of his career in entertainment. First he was a dancer and singer. Then his main focus became stand-up, specialising in the topical and political.

FIRST TV SHOW 1949

In 1949, Rogers starred in the first black prime-time show on US TV (CBS), Uptown Jubilee.

 

OH, YEAH!

Rogers was known as the Unknown Pioneer of (Black) Comedy. His catchphrase was “Oh Yeah!”, which you’ll hear plenty of times in today’s Phantom dancer Timmie Rogers set and in The Phantom dancer Video of the Week below.

He was a recurring guest star on The Jackie Gleason Show for over 12 years. He ended up working with Gleason thirty years.

Rogers also a composer and lyricist. You’ll hear his song, ‘If You Can’t Smile and Say Yes’, sung by Nat King Cole in a live 1945 radio broadcast. He wrote songs for Carmen McRae and Sarah Vaughan. His hits included ‘Back to School Again’ and ‘I Love Ya, I Love Ya, I Love Ya’.

 

1961 TV APPEARANCE

On your Phantom Dancer Video of the Week, enjoy Timmie Rogers as he wins over the studio audience on a 1961 TV Variety Show,

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #303

107.3 2SER Tuesday 13 February 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Benny Goodman 1934-36
Music Hall Rag
Benny Goodman Orchestra
Comm Rec
New York City
1934
Dixieland Band
Benny Goodman Orchestra (voc) Helen Ward
‘Let’s Dance’
WEAF NBC Red NY
4 May 1935
King Porter Stomp + Goodbye (theme)
Benny Goodman Orchestra
Joseph Urban Room
Congress Hotel
NBC Chicago
3 February 1936
Set 2
Exotica on the Wireless
Theme + Tweedle Dee Tweedle Dum
Sauter and Finegan
‘All-Star Parade of Bands’
Blue Note
WMAQ NBC Chicago
12 Sep 1953
Goodnight For A Murder
George Barnes
‘The Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY via Chicago
8 Sep 1941
Mocambo Mambo
Martin Denny Orchestra
London House
WBBM CBS Chicago
1959
Set 3
NBC Supper Club
I May Be Wrong
Jo Stafford
’Supper Club’
NBC/AFRS
10 Apr 1946
On The Atcheson, Topeka and Santa Fe
The Satisfiers
’Supper Club’
NBC/AFRS
1945
The Brave Volunteer + Smoke Gets In Your Eyes
Jo Stafford
’Supper Club’
NBC/AFRS
1950
Set 4
Progressive Jazz Singers
I Didn’t Sleep A Wink Last Night
Arthur Prysock
‘All-Star Parade of Bands’
Birdland
WNBC NBC NY
9 Sep 1952
Ain’t Misbehavin’
Anita O’Day (voc) Nat King Cole Trio
‘King Cole Court’
Radio Transcription
Hollywood
1959
Happy Birthday + Send My Baby Back To Me
Billy Eckstine
‘All-Star Parade of Bands’
Birdland
WNBC NBC NY
8 Jul 1953
Set 5
Jazz on 1948-49 TV with Eddie Condon
Fascinating Rhythm / I Got a Crush On You / ‘S Wonderful / They Can’t Take That Away From Me / The Man I Love / Embraceable You / I Got Rhythm
Eddie Condon Group
‘Eddie Condon Floor Show’
WNBT TV NY
9 Jul 1949
I Cover The Waterfront
Sarah Vaughan
‘Eddie Condon Floor Show’
WPIX TV NY
13 Dec 1948
Look At Me Now
June Christy
‘Eddie Condon Floor Show’
WNBT TV NY
23 Jul 1949
Blues
Eddie Condon Group
‘Eddie Condon Floor Show’
WPIX TV NY
13 Dec 1948
Set 6
1930s Small Groups
Sweet Heartache
Valaida Snow
Comm Rec
London
9 Jul 1937
Deep Purple
Benny Goodman Quartet
‘Camel Caravan’
WCAU CBS Philadelphia
14 Feb 1939
Theme + Hold My Hand
Fats Waller
WEAF NBC Red NY
16 Jul 1938
Gin Mill Blues + Close
Bob Crosby
‘Swing Concert’
Congress Hotel
WMAQ NBC Red Chicago
18 May 1937
Set 7
Timmie Rogers Comedian
Good Deal
Timmie Rogers
‘Jubilee’
AFRS Hollywood
1946
Stand-Up
Timmie Rogers
Apollo Theatre
New York City
17 Aug 1950
Daddy-O
Timmie Rogers
‘Jubilee’
AFRS Hollywood
1946
The Trouble With Me Is You
Nat King Cole (composed by Timmie Rogers)
Trocadero
KHJ Mutual LA
26 Apr 1945
Set 8
1940s-50s ‘Modern Jazz’
Twilight in Teheran
Buck Ram All-Stars
Comm Rec
New York City
18 Sep 1944
Intro + I’m In A Dancing Mood
Dave Brubeck Quartet
Basin Street
WCBS CBS NY
Mar 1957
Ain’t You A Mess
Stan Getz
Red Hill Inn
Pennsauken
WCBS CBS NY
18 May 1957
Dizzy’s Business
Dizzy Gillespie
Birdland
WCBS CBS NY
Jun 1956

6 February 2018 Phantom Dancer – Yes! Serious Music Can Be Entertaining. Proof.


The Phantom Dancer, presented by 1920s-1930s singer and band leader, Greg Poppleton, since 1985, is your non-stop two hour mix of swing and jazz from live 1920s – 1960s radio and TV.

This week, you’ll hear 8 sets including folk singer Susan Reed, dixieland by Kid Ory and Turk Murphy, a set of vocal harmonists including The King Sisters, a set hit songs by Woody Herman and Count Basie from the Avadon Ballroom – all from live radio broadcasts, of course.

You can hear this show online for the next 4 weeks after the 6 Feb broadcast at radio 2ser.com

BLACK, BROWN AND BEIGE

Duke Ellington’s longest and most ambitious orchestral work is heard in part on today’s Phantom Dancer.

From an April 1945 WJZ NYC ‘Date With The Duke’ broadcast out of the 400 Club in New York City we’ll hear live, Work Song and Spiritual.

Duke Ellington introduced it in his first concert at Carnegie Hall, January 23, 1943. He wrote it as “a parallel to the history of the Negro in America.”

It was first performed as a preview at Rye High School in Westchester County, New York, the day before its premiere at Carnegie Hall.

Another performance at Boston’s Symphony Hall on January 28 are the only known performances of the complete work.

Thereafter, Duke Ellington only performed pieces of it, as we’ll hear on today’s Phantom Dancer.

Following ‘Black, Brown and Beige’ on the Armed Forces Radio Service re-broadcast disc, Joya Sherill singing the pop ditty, ‘Accentuate The Positive’. Something of a statement by the AFRS editor, I’m suspect.

The first movement, ‘Black’, is divided into three parts, the Work Song, the spiritual Come Sunday , and Light.

‘Brown’ has three parts, West Indian Dance or Influence; Emancipation Celebration, and The Blues.

‘Beige’ covers “the Afro-American of the 1920s, 30s and World War II,” wrote Leonard Feather in the liner notes of the 1977 release of the original 1943 performance.

Duke Ellington mentions his Carnegie Hall performance of ‘Black, Brown and Beige’ in an interview with Frank Sinatra before playing Solitude at the piano on this week’s Phantom Dancer Video of the Week. A scratchy ‘Songs By Sinatra’ radio broadcast from 1943. He’s then joined by Raymond Scott and the CBS Radio Orchestra.

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #302

107.3 2SER Tuesday 6 February 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Dance Bands on One Night Stand
Theme + Kentucky
Gay Claridge Orchestra
‘One Night Stand’
Chez Paree
Chicago
AFRS Re-broadcast
21 Aug 1944
Laura
Tony Pastor Orchestra (voc) Dick Dyer
‘One Night Stand’
Hollywood Palladium
CBS/AFRS Re-broadcast
15 May 1945
Saturday Night Is The Lonliest Night Of The Week + Sweet Dreams Sweetheart
Freddy Martin Orchestra (voc) The Martin Men and Artie Wayne
‘One Night Stand’
Cocoanut Grove
Ambassador Hotel LA
AFRS Re-broadcast
3 January 1945
Set 2
Susan Reed Folk Singer
The Continental
Harry Sosnik and the Savings Bonds Orchestra
‘Guest Star’
Radio Transcription
NYC
7 Dec 1947
The Soldier and the Lady / Turtle Dove / Danny Boy
Susan Reed – Zither, Irish Harp, ‘the Everloving’
‘Guest Star’
Radio Transcription
NYC
7 Dec 1947
Two Guitars + Close
Harry Sosnik and the Savings Bonds Orchestra
’’Guest Star’
Radio Transcription
NYC
7 Dec 1947
Set 3
A Date With The Duke
Working Song ‘Black, Brown and Beige’ Suite
Duke Ellington Orchestra
’A Date With The Duke’
400 Restaurant
WJZ Blue NYC
30 Apr 1945
Spiritual ‘Black, Brown and Beige’ Suite
Duke Ellington Orchestra
’A Date With The Duke’
400 Restaurant
WJZ Blue NYC
30 Apr 1945
Accentuate The Positive
Duke Ellington Orchestra (voc) Joya Sherill
’A Date With The Duke’
400 Restaurant
WJZ Blue NYC
30 Apr 1945
Set 4
Stars For Defence
Theme + You ‘Ol Son-of-a-Gun + Love Look Away
Rosemary Clooney (voc) Buddy Cole Music
‘Stars for Defence’
Radio Transcription
8 Feb 1959
Civil Defence
Leo A Hoig
‘Stars for Defence’
Radio Transcription
8 Feb 1959
Two Little Girls + Always Together + Close
Rosemary Clooney (voc) Buddy Cole Music
‘Stars for Defence’
Radio Transcription
8 Feb 1959
Set 5
Harmony on 1930s-40s Radio
People Will Say We’re In Love
Nillsen Twins (voc) Spike Jones City Slickers
Aircheck
1944
A Stairway To The Stars
The Inkspots
WFIL NBC Red
Philadelphia
12 Jul 1939
Everybody Loves My Baby
King Sisters
Radio Transcription
Los Angeles
1947
Chi-Baba Chi-Baba
Herman McCoy and The Hamp Tones (voc) Lionel Hampton Orchestra
Casa Mañana
Culver City CA
KFI NBC LA
20 Jul 1947
Set 6
Woody Herman Hits
Open + Apple Honey
Woody Herman Orchestra (Gene Krupa opens)
‘Timex All-Star Jazz Show’
NBC TV
New York City
30 Dec 1957
Woodchoppers’ Ball
Woody Herman’s Third Herd
‘All-Star Parade of Bands’
WOW NBC Omaha
1954
Four Brothers
Woody Herman Orchestra
Blue Room
Roosevelt Hotel
WWL CBS New Orleans
10 Nov 1951
Golden Wedding
Woody Herman Orchestra (drums) Dave Tough
‘One Night Stand’
AFRS Re-broadcast
Oct 1944
Set 7
Turk Murphy and Kid Try On KCBS Radio
Bay City (theme) + Down Home Rag
Turk Murphy
Easy Street
KCBS San Francisco
2 Dec 1958
St James Infirmary
Kid Ory
Club Hangover
KCBS San Francisco
10 Oct 1954
Sadie Green, The Vamp of New Orleans
Turk Murphy
Easy Street
KCBS San Francisco
9 Dec 1958
Milneburg Joys + Close
Kid Ory
Club Hangover
KCBS San Francisco
30 Oct 1954
Set 8
Count Basie at the Avadon
Hobnail Boogie
Count Basie Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
1946
Lazy Lady Blues
Count Basie Orchestra (voc) Jimmie Rushing
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
1946
Andy’s Blues
Count Basie Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
1946