24 April 2018 Phantom Dancer – Bea Wain First To Record ‘Over The Rainbow’


You’ll hear some very loving and touching words on today’s Phantom Dancer.

The Phantom Dancer, presented every week by actor, Greg Poppleton, Australia’s only authentic 1920s-30s singer goes live from 107.3 2SER Sydney every Tuesday after the noon news.

It’s your non-stop mix of swing and jazz from live 1920s-60s radio and TV sent to 22 radio stations of the Community Radio Network and online.

Hear this week’s Phantom Dancer (after 24 April), and past Phantom Dancers, online at radio 2ser.com

In the mix this week, live 1930s-60s radio by Bob Crosby, Sammy Kaye, Al Trace, Larry Clinton and Bea Wain. See the full play list below.

THOSE TOUCHING WORDS?

“Beautiful, Bea Wain, beautiful.”

Who’s Bea Wain? She’s one of the greatest singers of the Swing Era and my absolute favourite.

Who said those words? You’ll hear them on today’s Phantom Dancer in the Bea Wain set, incidentally.

It was Andre Baruch, award-winning network radio announcer, who said them spontaneously as the announcer for the 1939 ‘Your Hit Parade’ after Bea Wain sang, ‘O, You Crazy Moon’.

They were married in 1938 and remained together until his death 53 years later. Bea Wain died last August aged 100.

THE UNSUNG SINGING GREAT

Bea Wain began singing on local radio at age six. She lived in the Bronx. Her accent disappeared when she sang. She had four No. 1 hits. And she never had a singing lesson.

She also had her name shortened from Beatrice to Bea by some unknown radio exec, to save space on record labels.

Quoting from her New York Times obituary,
“I never wanted anybody to teach me how to sing,” she said in an interview with Sara Fishko for the New York public radio station WNYC in 2013. “I had piano, elocution and dancing lessons, but never singing lessons.”

And she went on to sing professionally past the age of 90.

THE BIG BREAK

Was a big band arranger and in 1938 was forming a swing band with big RCA – NBC promotion. You’ll hear the band broadcasting ‘The RCA Campus Club’ from the Glen island Casino on today’s Phantom Dancer. The singer he hired to front this important band was Bea Wain.

How’d he find her.

She was in the chorus for the Kate Smith Radio Show. She stepped forward for an eight bar solo. That was enough for Clinton. She was hired. Again quoting from her NYT obit:

“The impeccable Wain never fails to captivate us as Clinton’s brassmen play natty little curlicues around her,” Will Friedwald wrote in his book “Jazz Singing: America’s Great Voices From Bessie Smith to Bebop and Beyond” (1990).Bea wain

OVER THE RAINBOW

In 1939 Billboard magazine’s college poll voted her the most popular female vocalist. Ella Fitzgerald was second.

In 1938 she was the first to record ‘Over The Rainbow’ from the film, ‘The Wizard of Oz’. MGM, which owned the rights, stopped the record from being issued until after the film, and Judy Garland’s version (who sang it in the movie) was released.

Wain’s ‘Over The Rainbow’ is the Phantom Dancer Video of the Week. It’s interesting to hear the first-ever version, totally untouched by Garland’s version.

Wain said in a 1988 interview, that when Helen O’Connell, a fellow big band singer, was asked how it felt to be a part of music history, she replied, “If I knew it was history, we would have paid more attention.”

HIT RECORDS

In a short recording career of just a few years (she got tired of touring and the poor recording fees and rarely made records after 18 months with the Clinton band), Bea Wain had four hit records, all with Larry Clinton’s Orchestra .
1. Heart and Soul, which she introduced in the short ‘A Song is Born’ announced by Andre Baruch
2. Deep Purple
3. Cry, Baby, Cry
4. My Reverie, an up-tempo version of the Debussy piano piece ‘Reverie’ with lyrics by Larry Clinton.

‘My Reverie’ became Bea Wain’s theme song but, quoting from her New York Times obituary, “it was almost scrapped when Debussy’s heirs learned, to their horror, that the music had been adapted for a pop audience with a brisk tempo and lyrics.

But when Larry Clinton sent them his recording, Wain recalled, they replied, “If this girl sings it, O.K”

MR AND MRS MUSIC

After the World War Two, during which Bea Wain sung in Army Camps and her husband, Andre Baruch served overseas, the couple became ‘Mr and Mrs Music,’ a daily program on WMCA, New York, on which they doubled as disc jockeys and interviewers.

bea wain and andre baruch

 

They continued on radio when they moved to Palm Springs in 1973 and retired from being DJs in 1980.

After that, Bea Wain sang on TV and in clubs, (there’s a 1983 TV medley of her 1938-39 hits on YouTube).

Quoting from the Wiki article on Wain, she told Christopher Popa in a 2004 interview, “Actually, I’ve had a wonderful life, a wonderful career. And I’m still singing, and I’m still singing pretty good. This past December, I did a series of shows in Palm Springs, California, and the review said, “Bea Wain is still a giant.” It’s something called Musical Chairs. I did six shows in six different venues, and I was a smash. And I really got a kick out of it.”

VIDEO OF THE WEEK

Your Phantom Dancer Video of the Week the first recording of ‘Over The Rainbow’ sung by Bea Wain in 1938 but not released until after the ‘Wizard of Oz’ (in which the song features) came out in 1939. Enjoy this original take wholly uninfluenced by Judy Garland…

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #313

107.3 2SER Tuesday 24 April 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing and Sway with Sammy Kaye
Theme + Elmers Tune
Sammy Kaye Orchestra (voc) The Three Kaydettes
‘Spotlight Bands’
Washington DC
Blue Network
31 Jan 1942
Ad + It’s a Great Feeling
Sammy Kaye Orchestra (voc) The Kaydettes
‘Sammy Kaye Showreel’
Radio Transcription
1949
Medley: How Deep is the Ocean? + I’m In The Mood For Love + Avalon + Close
Sammy Kaye Orchestra
‘One Night Stand’
Hotel Astor Roof
New York City
AFRS Re-broadcast
27 Aug 1945
Set 2
Bob Crosby
Open + Mama Why Don’t You Dance With Me
Bob Crosby and The Modernaires (voc) Jerry Gray Orchestra
‘Club 15’
KNX CBS LA
25 Nov 1947
Don’t Forget Tonight Tomorrow
Bob Crosby (voc) Bob Crosby Orchestra
‘One Night Stand’
Hollywood Palladium
AFRS Re-broadcast
27 Aug 1945
Muskrat Ramble
Bob Crosby Bobcats
‘Marine Corp Show’
Radio Transcription
Hollywood
1950
Set 3
WGN Parade of Bands Home Recordings
Open + Isn’t It Romantic
Al Trace and his Shuffle Rhythm
‘WGN Parade of Bands’
Blackhawk Restaurant
WGN Chicago
c 1950
Marie + Linger Awhile
Ted Fio Rito Orchestra
‘WGN Parade of Bands’
Chez Paree
WGN Chicago
c 1950
Bella Bella Marie + Medley: In My Dreams + I Love You So Much It Hurts
Jimmy Featherstone Orchestra (voc) JF and Peggy Murdoch
‘WGN Parade of Bands’
Walnut Room
Bismarck Hotel
WGN Chicago
c 1950
Set 4
Bea Wain
East of the Sun
Bea Wain (voc) Larry Clinton Orchestra
‘RCA Campus Club’
Glen Island Casino
New Rochelle NY
WEAF NBC Red NY
2 Jul 1938
Try, Try Again
Bea Wain and Band (voc) Larry Clinton Orchestra
‘RCA Campus Club’
Glen Island Casino
New Rochelle NY
WEAF NBC Red NY
2 Jul 1938
Oh, You Crazy Moon
Bea Wain
‘Your Hit Parade’
WEAF NBC Red NY
7 Oct 1939
Set 5
Swing Trumpet Stars on Ballads
Cirribirribin (theme) + You’re In Love With Someone Else
Harry James Orchestra (voc) Helen Forrest
Hotel Astor Roof
WABC CBS NY
28 Aug 1942
Oh What It Seemed To Be
Erskine Hawkins Orchestra (voc) Jimmy Mitchell
‘One Night Stand’
Blue Room
Hotel Lincoln NY
AFRS Re-broadcast
1 May 1946
Goodnight, Good Neighbour
Charlie Spivak Orchestra (voc) Irene Daye
‘One Night Stand’
Century Room
Hotel Commodore NY
AFRS Re-broadcast
25 Feb 1945
Clouds
Henry Busse Orchestra (voc) Carl Grayson
Radio Transcription
Hollywood
1935
Set 6
Hal Kemp and Skinnay Ennis Sells Beauty Creme
When Summer Is Gone (theme) + You’ve Got Me Crying Again
Hal Kemp Orchestra (voc) Skinnay Ennis
‘Lavena Program’
Radio Transcription
New York City
1934
Last Year’s Girl
Hal Kemp Orchestra (voc) Skinnay Ennis
‘Lavena Program’
Radio Transcription
New York City
1934
It’s Only A Paper Moon + Ad
Hal Kemp Orchestra (voc) Skinnay Ennis
‘Lavena Program’
Radio Transcription
New York City
1934
I Couldn’t Tell Them What To Do
Hal Kemp Orchestra (voc) Skinnay Ennis
‘Lavena Program’
Radio Transcription
New York City
1934
Set 7
1950s-60s Radio Swing Bands
One O’Clock Jump + Blee Blop Blues
Count Basie Orchestra
‘Stars in Jazz’
Birdland
WNBC NBC NY
14 Jan 1953
Cohn’s Alley
Woody Herman’s Third Herd
‘All-Star Parade of Bands’
Peony park
WOW NBC Omaha
1954
Song of India
Dorsey Brothers’ Orchestra
Cafe Rouge
Hotel Statler
WRCA NBC NY
Dec 1955
Flashback From The Future
Duke Ellington Orchestra
Aircheck
24 Oct 1965
Set 8
Mickey Mouse Bands Live and Transcribed
Romance (theme) + We Just Couldn’t Say Goodbye
Ray Herbeck and his Music with Romance Orchestra (voc) Lorraine Benson
Trianon Ballroom
WGN Chicago
24 Nov 1947
I’ll See You In My dreams
Jan Garber Orchestra
Radio Transcription
1941
Would It Make Any Difference To You?
Carl Ravazza Orchestra (voc) CR
Radio Transcription
1943
Can’t We Be Friends?
Johnny Mesner Orchestra
Radio Transcription
New York City
1939
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17 April 2018 Phantom Dancer – Johnny Green Body and Soul


Johnny Green was a U.S composer, songwriter, pianist, band leader and orchestra conductor. His most famous song is ‘Body and Soul’.

On this week’s Phantom Dancer we’ll be hearing a few of the 1930s radio orchestras lead by Johnny Green. Below, your Phantom Dancer Video of the Week is a short film simulating a Johnny Green radio broadcast. The short was made in 1935.

This week you’ll also hear sets with Patti Page, Johnny Ray and Erroll Garner from live 1957 TV and some of the great swing bands from the 1930s live on the 1938-39 BBC series, ‘America Dances’.

Produced and presented by Australia’s only authentic 1920s-30s singer, Greg Poppleton, The Phantom Dancer is your non-stop mix of swing and jazz from live 1920s-1960s radio and TV every week.

Hear this week’s Phantom Dancer (after 17 April) and past Phantom Dancers online at radio 2ser.com

JOHN ‘JOHNNY’ WALDO GREEN

He won four Academy Awards for his film scores and a fifth for producing a short musical film. And he went by the name of John or ‘Maestro’ in his later years.

As you’ll hear on today’s live 1930s radio broadcasts of Johnny Green and his Orchestra, Green couldn’t help but be self-assured.

He entered Harvard at age 15. You’ll hear him talk today on a 1939 aircheck about his early music schooling and his first song as a kid.

Indeed, by the time he was at Harvard, bandleader Guy Lombardo had heard Green’s Gold Coast Orchestra and hired him to create dance arrangements for his nationally famous Lombardo orchestra.

JAZZ STANDARDS

Green’s first song hit was written for the Lombardo orchestra. It was Coquette (1928), which Green wrote when he was 19.

Two years later, in 1930, Green wrote ‘Body and Soul’ which is now a jazz standard.

In the early 30s he was the radio and recording accompanist and arranger to singers James Melton, Libby Holman and Ethel Merman, and as you’ll hear on this week’s Phantom Dancer, Ruth Etting. He was also arranger and conductor for Paramount Pictures.

In this period he also wrote the standards ‘Out Of Nowhere’ (which you’ll hear in play today), ‘Rain Rain Go Away’, ‘I Cover the Waterfront’, ‘You’re Mine You’, ‘I Wanna Be Loved’ (his 1934 Oldsmobile show theme song), ‘Easy Come Easy Go’, ‘Repeal The Blues’ and the theme for Max Fleischer’s Betty Boop cartoons.

johnny green record

Nathaniel Shilkret and Paul Whiteman commissioned Green to write larger works for orchestra, including ‘Night Club: Six Impressions for Orchestra with Three Pianos’.

After spending 1933 in London, where he wrote the first musical comedy ever for BBC Radio, Green returned to New York City where, William S. Paley, president of the Columbia Broadcasting System and an investor in New York’s St. Regis Hotel, encouraged him to form what became known as Johnny Green, his Piano and Orchestra.

And he continued to lead his orchestra in top ranking radio shows into the 1940s, backing singers such as Fred Astaire and Alan Jones.

In the early 40s, Green moved to Hollywood. He became one of the people central to changing the overall sound of the MGM Symphony Orchestra.

ACADEMY AWARDS

He was Music Director at MGM from 1949 to 1959 and was nominated for an Oscar thirteen times. He won the award for the musical scores of Easter Parade, An American in Paris, West Side Story, and Oliver!, as well as for producing the short “The Merry Wives of Windsor Overture”, which won in the Short Subjects (One-Reel) category in 1954.

johnny green an american in paris

After leaving MGM, Green guest-conducted the Chicago Symphony Orchestra, Denver Symphony Orchestra, Philadelphia Orchestra, San Francisco Symphony Orchestra, and Hollywood Bowl Orchestra. He also continued to compose the occasional filmscore, including the critically acclaimed They Shoot Horses, Don’t They? in 1969. He conducted the orchestra for the 1961 United Artists’ film version of West Side Story, for which he won a Grammy.

Green was a chairman of the music branch of the Academy of Motion Picture Arts and Sciences, leading the orchestra through 17 of the Academy Award telecasts.

VIDEO OF THE WEEK

Your Phantom Dancer Video of the Week is a short film from 1935 of a Johnny Green Orchestra broadcast in action, with announcer Harry von Zell. I like the short scene of the ‘old radio listener’ slapping his knee with laughter. Enjoy…

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #311

107.3 2SER Tuesday 17 April 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing Bands on 1944-46 Radio
Theme + Boyd’s Nest
Boyd Raeburn Orchestra
‘One Night Stand’
Club Morrocco
Los Angeles
AFRS Re-broadcast
19 Aug 1946
Begin the Beguine
Bobby Sherwood Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
3 Jun 1946
A Fellow on a Furlough + Blue Skies
Bob Chester Orchestra
‘One Night Stand’
Panther Room
Hotel Sherman
Chicago
AFRS Re-broadcast
8 Oct 1944
Set 2
1950s Hipster Radio
Bling, Bling!
Machito
‘Symphony Sid Show’
Birdland
WJZ ABC NY
1951
Stuffy
Coleman Hawkins and Roy Eldridge
‘Stars in Jazz’
Birdland
WNBC NBC NY
1952
Cherry Blossom + Close
Georgie Auld
‘Here’s To Veteran’s’
Radio Transcription
Hollywood
1954
Set 3
Women Pop Singers on the Air
Open + Poor, Poor People of Paris
Giselle McKenzie
‘Airtime’
Radio Transcription
Hollywood
1945
I Love You, Yes I Do
Ella Mae Morse
‘Here’s To Veteran’s’
Radio Transcription
Hollywood
1954
Cry Me A River
Julie London
‘All-Star Parade of Bands’
The Cameo
WRCA NBC NY
1956
Set 4
Johnny Green on 1930s Radio
Bio + Penny Serenade
Johnny Green Orchestra
‘Fitch Bandwagon’
WEAF NBC Red NY
9 Apr 1939
Out of Nowhere + I Want To Love (theme)
Johnny Green (voc) Ruth Etting
‘Oldsmobile Show’
WABC CBS NY
27 Feb 1934
Row, Row, Row
Johnny Green Orchestra (voc) Ray Bloch Swing 14
‘Rhymo’
WABC CBS NY
26 May 1940
Set 5
Eddy Howard Ballard Singer
Careless (theme) + Thou Swell
Eddy Howard (voc) and his Orchestra
Aragon Ballroom
Mutual Network, Chicago
5 Dec 1945
I Wish I Was A Willow
Eddy Howard (voc) Dick Jurgens Orchestra
Radio Transcription
Los Angeles
1938
Sailboat in the Moonlight
Eddy Howard (voc) and his Orchestra
Radio Transcription
Los Angeles
1939
Medley + So Long For Now (theme)
Eddy Howard (voc) and his Orchestra
Aragon Ballroom
Mutual Network, Chicago
5 Dec 1945
Set 6
1950s Radio Swing Bands
Blue Flame (theme) + Hollywood Blues
Woody Herman Orchestra
Blue Room
Hotel Roosevelt
WWL CBS New Orleans
1951
Hob Nail Boogie
Count Basie Orchestra
Birdland
WNBC NBC NY
31 Aug 1952
Flager’s Drive
Dorsey Brothers’ Orchestra
Meadowbrook Ballroom
Cedar Grove NJ
WCBS CBS NY
1 Jan 1956
Summertime
Claude Thornhill Orchestra
‘One Night Stand’
Steel Pier
Atlantic City NJ
AFRS Re-broadcast
24 Aug 1956
Set 7
America Dances on the BBC
Open + Over The Waves
Bob Crosby Orchestra
‘America Dances’
New York City
BBC London
1939
Every Tub + Song of the Wanderer
Count Basie Orchestra
‘America Dances’
New York City
BBC London
1939
Body and Soul
Teddy Wilson Orchestra
‘America Dances’
New York City
BBC London
1939
Two O’Clock Jump + Close
Harry James Orchestra
‘America Dances’
New York City
BBC London
19 Jul 1939
Set 8
The Big Record TV Show
Intro + I’ve Got My Love To Keep Me Warm
Patti Page
‘The Big Record’
CBS TV NY
27 Nov 1957
Ad + Cry + Soliloquy of a Fool
Johnny Ray
‘The Big Record’
CBS TV NY
27 Nov 1957
Where or When + Tea For Three
Erroll Garner
‘The Big Record’
CBS TV NY
27 Nov 1957

27 March Phantom Dancer – Bunny Berigan and How Disease Effects Legacy


It never ceases to amaze me how disease can over-shadow the brilliant legacy of a person’s life. How much ‘expert’ blather was there about Stephen Hawking’s motor neurone disease as an excuse to avoid explaining and understanding his discoveries in physics? It’s belittling and disrespectful.

Louis Armstrong’s favourite trumpet player was Bunny Berigan. We’ll be hearing radio broadcasts by Bunny Berigan on this week’s The Phantom Dancer.

Even today, seventy years after his death, he is still considered to have been one of the top trumpet players in jazz.

But what I find additionally interesting is how his legacy has been marred by the alcoholism that affected the inventiveness of his playing in the latter part of his short thirty-three years and which ultimately killed him through cirrhosis of the liver.

On this week’s Phantom Dancer you’ll also hear a set of live vintage radio by Dave Brubeck, Jack Teagarden and women singers with their own radio shows – Lee Wiley, Peggy Lee, Dinah Show and Mildred Bailey.

 

THE PHANTOM DANCER is two hours of non-stop swing and jazz mixed from live 1920s – 1960s radio and TV by Greg Poppleton, Australia’s only authentic 1920s-1930s singer www.gregpoppletonmusic.com

Broadcast 12:04pm Tuesdays 107.3 2SER Sydney then over 22 radio stations and online.

HEAR The Phantom Dancer live-streamed and afterwards online on the Radio 2SER website. http://www.2ser.com/phantom-dancer/

HOW DISEASE EFFECTS LEGACY

When jazz musicians talk about Bunny Berigan, his alcoholism always comes up.

‘What might have been had he not drank?’, is usually the most positive musing. But to me, from a music perspective, his illness should have no bearing on his legacy. Surely it’s his trumpet playing and technique that’s important, the music played, the songs composed, the landmark recordings made. Louis Armstrong praised Bunny Berigan’s trumpet sound and jazz ideas both before and after Berigan’s death.

I have known jazz musicians, world-touring, who’ve died after long illnesses. They kept their illnesses private, performing to the very end. Even though everyone knew they were terminally ill, the particulars of their illnesses were never discussed. These musicians had the luxury and the determination to never be defined by their disease. Nowadays, when people talk about them, they talk about their music, the good times and their positive legacy. How they died, their disease, and their substance abuse (in one case) are irrelevancies.

However, other jazz musicians I have known, have had deaths after long, debilitating illnesses during which time it was impossible to perform. Others have died suddenly – a heart attack, an overdose, a bleed. Always, these musicians are discussed in terms of their deaths, their creative life work overshadowed by the fabula of their failing health or their fatal surprise.

I guess it’s easier to talk about sickness and death than music. The musical process is a specialist field. Feeling poorly and falling off the perch is something on which everyone has an expert opinion.

BUNNY BERIGAN…
…was the stage name of Roland Bernard Berigan.

He composed, sang, and most famously was a brilliant trumpet player. Of his compositions, we’ll hear a live recording of one, ‘Chicken and Waffles’, from a live 1936 radio broadcast on this week’s Phantom Dancer.

He was best known for his virtuoso jazz trumpeting. His 1937 classic recording of a song from a flop music, ‘I Can’t Get Started’ (which we’ll also hear in two live 1930s versions on this week’s Phantom Dancer) was inducted into the Grammy Hall of Fame in 1975. ‘I Can’t Get Started’ was Berigan’s radio theme when he launched his own band in 1937.

Bunny Berigan had learnt violin and trumpet and was playing in local bands by his mid-teens. In 1930 he joined the Hal Kemp Orchestra and soon came to notice. He became a sought-after studio musician in New York as well as playing in the orchestras of Freddy Rich, Freddy Martin, Ben Selvin, Paul Whiteman and Benny Goodman. In fact, Goodman’s manager only got ‘that ace drummer man’ Gene Krupa to join the band by telling him Berigan was already on board.

After leaving Goodman, Berigan began to record regularly under his own name and to back singers such as Bing Crosby, Mildred Bailey, and Billie Holiday. We’ll hear him this week with the Tommy Dorsey Orchestra in early 1937. His solo on ‘Marie’ became one of his signature performances. We’ll hear a 1940 radio version. And, of course, a critic describing Berigan’s trumpet on the 1940 show had to bring up his alcoholism.

After leaving Goodman, Berigan began to record regularly under his own name and to back singers such as Bing Crosby, Mildred Bailey, and Billie Holiday. We’ll hear him this week with the Tommy Dorsey Orchestra in early 1937. His solo on ‘Marie’ became one of his signature performances. We’ll hear a 1940 radio version. And, of course, a critic describing Berigan’s trumpet on the 1940 show had to bring up his alcoholism.

MUSICAL ADVICE FROM BERIGAN
And instrumentalists PLEASE TAKE NOTE. There’s nothing more irritating to a singer than an instrumentalist taking too much air during the singer’s solo, or cramping the singer’s freedom of expression by trying to steer the improvisation…

Your Phantom Dancer Bunny Berrigan singing and playing trumpet on ‘Until Today’ with Freddy Rich’s Orchestra in 1936 . Enjoy!

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #308

107.3 2SER Tuesday 20 March 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing on 1940s Radio
Theme + Girl of My Dreams
Randy Brooks Orchestra
‘One Night Stand’
Roseland Ballroom NYC
AFRS Re-broadcast
17 Nov 1945
K.C. Caboose + Are You Happy?
John Kirby Sextet
‘One Night Stand’
Aquarium Restaurant NYC
AFRS Re-broadcast
18 Jul 1944
They Didn’t Believe Me + Blue Moon (Close)
Eliot Lawrence Orchestra
‘One Night Stand’
Roseland Ballroom NYC
AFRS Re-broadcast
26 Jul 1945
Set 2
Big Bands on 1950s Radio
Theme + I’m Walking
Johnny Richards Orchestra
‘ABC Dancing Party’
Birdland
WABC ABC NYC
1957
If I Had You
Ted Heath Orchestra
‘International Bandstand’
London
NBC/BBC
2 Mar 1959
It’s All In The Game
Ray Anthony Orchestra
‘One Night Stand’
Cafe Rouge
Hotel Pennsylvania
AFRS Re-broadcast
1952
Set 3
Bing Crosby Radio
Open + Pistol Packin’ Mama
Bing Crosby
‘Kraft Music Hall’
KFI NBC LA
16 Dec 1943
Too-ra-loo-ra-loo-ra
Bing Crosby
’Philco Radio Time’
KECA ABC LA
19 Nov 1947
Ukulele Lady + Green Grow The Lilacs + Close
Bing Crosby + Rosemary Clooney (2nd song)
’Bing Crosby-Rosemary Clooney Show’
KNX CBS LA
19 Oct 1961
Set 4
Chamber Music Society of Lower Basin Street
Open + Dixieland One-Step
Henry Levine Octet
‘Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
1 Sep 1941
O Sussanah
Diane Courtney
‘Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
1 Sep 1941
Cheery-Beery-Bee
The Tune Toppers
‘Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
1 Sep 1941
Dangerous Mood
Paul Lavalle Woodwinds
‘Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
1 Sep 1941
Set 5
Trombonist Jack Teagarden
Announcer’s Blues
Paul Whiteman Orchestra
‘Paul Whiteman’s Music Varieties’
WJZ NBC Blue NY
19 jan 1936
Mr Jessie
Jack Teagarden Orchestra
Panther Room
Hotel Sherman
WMAQ NBC Chicago
22 Nov 1941
You Took Advantage of Me + Tea For Two + Close
The Three T’s (Jack and Charlie Teagarden and Frank Trambauer)
Hickory House
WEAF NBC Red NY
9 Dec 1936
(1936 Home Recording)
Wolverine Blues + Close
Jack Teagarden Orchestra
Panther Room
Hotel Sherman
WMAQ NBC Chicago
27 Dec 1941
Set 6
Women Singers With Their Own Radio shows
Somebody Loves Me
Peggy Lee
‘Peggy Lee Show’
KNX CBS LA
1947
Beg Your Pardon
Dinah Shore
‘Dinah Shore Show’
KNX CBS LA
4 May 1948
Too Good To Be True
Lee Wiley
‘Lee Wiley Sings’
WABC CBS NY
1 Jul 1936
Summertime
Mildred Bailey
‘Mildred Bailey Show’
WABC CBS NY
12 Jan 1945
Set 7
Bunny Berigan
I Can’t Get Started (theme) + Organ Grinder’s Swing
Bunny Berigan Orchestra
‘Norge Program’
Radio Transcription
New York City
1937
I Can’t Get Started (theme) + Ay, Ay, Ay
Bunny Berigan Orchestra
Manhattan Centre
WNEW NY
26 Sep 1939
Marie
Tommy Dorsey Orchestra (Bunny Berigan tp feature)
Meadowbrook Ballroom
Cedar Grove NJ
WABC CBS NY
9 Mar 1940
Runnin’ Wild + Chicken and Waffles
Bunny Berigan Orchestra
‘Saturday Night Swing Club’
WABC CBS NY
31 Oct 1936
Set 8
Dave Brubeck
This Can’t Be Love
Dave Brubeck
Aircheck
Jan 1954
The Song Is For You
Dave Brubeck
Basin Street
WCBS CBS NY
Mar 1957
Stardust
Dave Brubeck
‘Symphony Sid Show’
Birdland
WJZ ABC NY
Dec 1953
All The Things You Are
Dave Brubeck
Basin Street
WCBS CBS NY
Feb 1956

20 March 2018 Phantom Dancer – Miff Mole Pioneer 1920s Jazz Trombonist


Miff Mole was a trombone player who became famous in the jazz world of the 1920s. And we’ll be hearing radio broadcasts by Miff on this week’s The Phantom Dancer.

The Phantom Dancer is two hours of non-stop swing and jazz mixed from live 1920s – 1960s radio and TV.

Now in its 33rd year, The Phantom Dancer is produced and presented by Greg Poppleton, Australia’s only authentic 1920s-1930s singer.

On this week’s Phantom Dancer you’ll also hear a set of live vintage radio by Nat King Cole, Marion Hutton and Charlie Spivak.

Broadcast 12:04pm Tuesdays 107.3 2SER Sydney then over 22 radio stations and online.

HEAR The Phantom Dancer live-streamed then online on the Radio 2SER website.

 

MIFF MOLE…

…was the stage name of Irving Milfred Mole (March 11, 1898 – April 29, 1961).

He was a jazz trombonist and band leader. He created ‘the first distinctive and influential solo jazz trombone style.’

Miff Mole’s soloing style had rapid-fire cadenzas, octave-leaps and shakes. He was a big influence on later trombonists Bill Rank, Glenn Miller, Tommy Dorsey, and Jimmy Harrison.

His heyday was the mid-1920s when he recorded popular and critically acclaimed records with such stars as Sophie Tucker (Red Hot Mama (1924)) and Bix Beiderbecke (Davenport Blues (1925)).

Miff Mole studied classical violin and piano as a child. He picked up the trombone age 15. He was playing professionally by 1920 and went on to play in some of the greatest New York City bands in the Jazz Age.

TROMBONE

Miff Mole played in the Original Memphis Five (1922), and with Ross Gorman, Roger Wolfe Kahn, Sam Lanin, Ray Miller and many others. With cornetist Red Nichols, he led Miff Mole and His Little Molers, recording from 1926 – 1930.

Miff Mole waxed sides with a lot of Red Nichols ‘aggregations’: The Red Heads, The Hottentots, The Charleston Chasers, The Six Hottentots, The Cotton Pickers, Red and Miff’s Stompers, and Red Nichols and His Five Pennies.

But Miff’s style became ‘old-hat’ when Jack Teagarden arrived in New York in 1928. Teagarden brought a more legato, blues-oriented approach to jazz.

After the 1920s, Miff Mole took to radio as an NBC studio musician until 1938 when he joined Paul Whiteman’s orchestra. By then, even Mole had been influenced by Teagarden. He was in Benny Goodman’s orchestra from 1942-43 and led various dixieland bands, one of which we hear on today’s Phantom Dancer – his Nixieland Six – from 1942-47. He worked in Chicago in 1947–54 when bad health reduced the amount of playing he did. He died in 1961.

Miff Mole’s records have been used in the soundtracks of two twenty-first century movies.

His 1928 recording of ‘Shim-Me-Sha-Wabble’ with the Little Molers was used in Russell Crowe;s movie, Cinderella Man.

His composition ‘There’ll Come a Time (Wait and See)’, is heard in the Academy Award-nominated movie, The Curious Case of Benjamin Button.

Your Phantom Dancer Miff Mole Video of the Week – Miff Mole hanging out on a hotel rooftop in 1943. Enjoy!

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #308

107.3 2SER Tuesday 20 March 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
The Lesser Known 1940s Dance Bands
Straighten Up and Fly Right (theme) + Sunday + Ad + Wildroot Creme Oil Song
Nat King Cole Trio (voc) NCK
‘King Cole Trio Time’
KFI NBC LA
6 Mar 1948
Open + Little Joe From Chicago (theme) + Boogie a la King
Nat King Cole Trio (voc) NCK
Radio Transcription
1959
Go Bongo + Close
Nat King Cole Trio (bongos) Jack Costanza
‘Just Jazz’
Shrine Auditorium LA
AFRS Re-broadcast
1945
Set 2
1950s Modern Jazz Radio
Leap Frog (Theme) + At Sundown
Les Brown Orchestra
‘Treasury Bandstand’
Hershey Park Ballroom
WLAN ABC Lancaster PA
1957
Always
Kai Winding
‘All-Star Parade of Bands’
Birdland
WNBC NBC NY
2 Sep 1952
Perdido
Ray Anthony Orchestra
‘Jubilee’
AFRS Hollywood
25 Dec 1952
Set 3
Hot Music on 1930-32 Radio
Coca Cola Waltz (theme) + So Sympathetic
Leonard Joy and the Coca Cola Orchestra
‘Coca Cola Top Notchers’
WEEI NBC Boston
26 Mar 1930
Bugle Call Rag
George Olsen Music
’Lucky Strike Orchestra’
WEAF NBC Red NY
1 Dec 1932
Whistling in the Dark + Sweet and Lovely (close)
Gus Arnheim Orchestra
’Cocoanut Grove’
Radio Transcription
Hollywood
1931
Set 4
Pop Singers 1950s-60s Radio
Open + Baby, I Want It
Frankie Laine
‘Navy Star Time’
Radio Transcription
Hollywood
1952
Cheek to Cheek
Rosemary Clooney
‘Bing Crosby Show’
KNX CNS LA
19 Oct 1960
I Get a Kick Out of You + Period (close)
Sarah Vaughan
‘All-Star Parade of Bands’
Birdland
WNBC NBC NY
21 Apr 1952
Set 5
Marion Hutton sings on 1938-39 Radio
Oh, Johnny, Oh!
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WJZ NBC Blue NY
5 Dec 1939
The Jumping’ Jive
Glenn Miller Orchestra (voc) Marion Hutton
NBC Radio
Baltimore
5 Sep 1939
I Just Got a Letter
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WJZ NBC Blue NY
6 Dec 1939
In a Russian Foxhole
Glenn Miller Orchestra (voc) Marion Hutton
Meadowbrook Ballroom
Cedar Grove NJ
WJZ NBC Blue NY
18 Apr 1939
Set 6
Charlie Spivak on 1940s Radio
After I Say I’m Sorry
Charlie Spivak Orchestra (voc) The Stardusters including Marion’s sister June
Radio Transcription
New York City
1941
Stomping Room Only
Charlie Spivak Orchestra
Palladium Ballroom
KNX CBS Hollywood
4 Apr 1948
20 May 1940
Besume Mucho
Charlie Spivak Orchestra
‘One Night Stand’
Century Room
Commodore Hotel NYC
AFRS Re-broadcast
1944
Massenet’s Elegy
Charlie Spivak Orchestra
Palladium Ballroom
KNX CBS Hollywood
Apr 1948
20 May 1940
Set 7
Miff Mole
Davenport Blues
Red and Miff’s Stompers
Comm Rec
New York City
11 Feb 1927
Peg o’ My Heart
Miff Mole Nixieland Six
‘For The Record’
WEAF NBC NY
30 Oct 1944
Nobody’s Sweetheart
Irving Mill’s Hotsy Totsy Gang (tb) Miff Mole
‘Brunswick Brevities’
WABC CBS NY
Oct 1928
Waiting For The Evening Whistle + Bugle Call Rag
Eddie Condon Group (tb) Miff Mole
‘Eddie Condon Jazz Concert’
Town Hall
WJZ Blue NY
30 Sep 1944
Set 8
Charlie Barnet
Makin’ Whoopee
Charlie Barnet Orchestra
Casino Gardens
Ocean Park Ca
KECA ABC LA
Dec 1946
Come To Baby Do
Charlie Barnet Orchestra (voc) Lena Horne
‘Jubilee’
AFRS Hollywood
1945
Strolling
Charlie Barnet Orchestra
Aircheck
Dec 1945
Dear Old Southland + Close
Charlie Barnet Orchestra
‘Spotlight Bands’
Ft Devon, Mass
Blue Network
15 Oct 1945

6 February 2018 Phantom Dancer – Yes! Serious Music Can Be Entertaining. Proof.


The Phantom Dancer, presented by 1920s-1930s singer and band leader, Greg Poppleton, since 1985, is your non-stop two hour mix of swing and jazz from live 1920s – 1960s radio and TV.

This week, you’ll hear 8 sets including folk singer Susan Reed, dixieland by Kid Ory and Turk Murphy, a set of vocal harmonists including The King Sisters, a set hit songs by Woody Herman and Count Basie from the Avadon Ballroom – all from live radio broadcasts, of course.

You can hear this show online for the next 4 weeks after the 6 Feb broadcast at radio 2ser.com

BLACK, BROWN AND BEIGE

Duke Ellington’s longest and most ambitious orchestral work is heard in part on today’s Phantom Dancer.

From an April 1945 WJZ NYC ‘Date With The Duke’ broadcast out of the 400 Club in New York City we’ll hear live, Work Song and Spiritual.

Duke Ellington introduced it in his first concert at Carnegie Hall, January 23, 1943. He wrote it as “a parallel to the history of the Negro in America.”

It was first performed as a preview at Rye High School in Westchester County, New York, the day before its premiere at Carnegie Hall.

Another performance at Boston’s Symphony Hall on January 28 are the only known performances of the complete work.

Thereafter, Duke Ellington only performed pieces of it, as we’ll hear on today’s Phantom Dancer.

Following ‘Black, Brown and Beige’ on the Armed Forces Radio Service re-broadcast disc, Joya Sherill singing the pop ditty, ‘Accentuate The Positive’. Something of a statement by the AFRS editor, I’m suspect.

The first movement, ‘Black’, is divided into three parts, the Work Song, the spiritual Come Sunday , and Light.

‘Brown’ has three parts, West Indian Dance or Influence; Emancipation Celebration, and The Blues.

‘Beige’ covers “the Afro-American of the 1920s, 30s and World War II,” wrote Leonard Feather in the liner notes of the 1977 release of the original 1943 performance.

Duke Ellington mentions his Carnegie Hall performance of ‘Black, Brown and Beige’ in an interview with Frank Sinatra before playing Solitude at the piano on this week’s Phantom Dancer Video of the Week. A scratchy ‘Songs By Sinatra’ radio broadcast from 1943. He’s then joined by Raymond Scott and the CBS Radio Orchestra.

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #302

107.3 2SER Tuesday 6 February 2018
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Dance Bands on One Night Stand
Theme + Kentucky
Gay Claridge Orchestra
‘One Night Stand’
Chez Paree
Chicago
AFRS Re-broadcast
21 Aug 1944
Laura
Tony Pastor Orchestra (voc) Dick Dyer
‘One Night Stand’
Hollywood Palladium
CBS/AFRS Re-broadcast
15 May 1945
Saturday Night Is The Lonliest Night Of The Week + Sweet Dreams Sweetheart
Freddy Martin Orchestra (voc) The Martin Men and Artie Wayne
‘One Night Stand’
Cocoanut Grove
Ambassador Hotel LA
AFRS Re-broadcast
3 January 1945
Set 2
Susan Reed Folk Singer
The Continental
Harry Sosnik and the Savings Bonds Orchestra
‘Guest Star’
Radio Transcription
NYC
7 Dec 1947
The Soldier and the Lady / Turtle Dove / Danny Boy
Susan Reed – Zither, Irish Harp, ‘the Everloving’
‘Guest Star’
Radio Transcription
NYC
7 Dec 1947
Two Guitars + Close
Harry Sosnik and the Savings Bonds Orchestra
’’Guest Star’
Radio Transcription
NYC
7 Dec 1947
Set 3
A Date With The Duke
Working Song ‘Black, Brown and Beige’ Suite
Duke Ellington Orchestra
’A Date With The Duke’
400 Restaurant
WJZ Blue NYC
30 Apr 1945
Spiritual ‘Black, Brown and Beige’ Suite
Duke Ellington Orchestra
’A Date With The Duke’
400 Restaurant
WJZ Blue NYC
30 Apr 1945
Accentuate The Positive
Duke Ellington Orchestra (voc) Joya Sherill
’A Date With The Duke’
400 Restaurant
WJZ Blue NYC
30 Apr 1945
Set 4
Stars For Defence
Theme + You ‘Ol Son-of-a-Gun + Love Look Away
Rosemary Clooney (voc) Buddy Cole Music
‘Stars for Defence’
Radio Transcription
8 Feb 1959
Civil Defence
Leo A Hoig
‘Stars for Defence’
Radio Transcription
8 Feb 1959
Two Little Girls + Always Together + Close
Rosemary Clooney (voc) Buddy Cole Music
‘Stars for Defence’
Radio Transcription
8 Feb 1959
Set 5
Harmony on 1930s-40s Radio
People Will Say We’re In Love
Nillsen Twins (voc) Spike Jones City Slickers
Aircheck
1944
A Stairway To The Stars
The Inkspots
WFIL NBC Red
Philadelphia
12 Jul 1939
Everybody Loves My Baby
King Sisters
Radio Transcription
Los Angeles
1947
Chi-Baba Chi-Baba
Herman McCoy and The Hamp Tones (voc) Lionel Hampton Orchestra
Casa Mañana
Culver City CA
KFI NBC LA
20 Jul 1947
Set 6
Woody Herman Hits
Open + Apple Honey
Woody Herman Orchestra (Gene Krupa opens)
‘Timex All-Star Jazz Show’
NBC TV
New York City
30 Dec 1957
Woodchoppers’ Ball
Woody Herman’s Third Herd
‘All-Star Parade of Bands’
WOW NBC Omaha
1954
Four Brothers
Woody Herman Orchestra
Blue Room
Roosevelt Hotel
WWL CBS New Orleans
10 Nov 1951
Golden Wedding
Woody Herman Orchestra (drums) Dave Tough
‘One Night Stand’
AFRS Re-broadcast
Oct 1944
Set 7
Turk Murphy and Kid Try On KCBS Radio
Bay City (theme) + Down Home Rag
Turk Murphy
Easy Street
KCBS San Francisco
2 Dec 1958
St James Infirmary
Kid Ory
Club Hangover
KCBS San Francisco
10 Oct 1954
Sadie Green, The Vamp of New Orleans
Turk Murphy
Easy Street
KCBS San Francisco
9 Dec 1958
Milneburg Joys + Close
Kid Ory
Club Hangover
KCBS San Francisco
30 Oct 1954
Set 8
Count Basie at the Avadon
Hobnail Boogie
Count Basie Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
1946
Lazy Lady Blues
Count Basie Orchestra (voc) Jimmie Rushing
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
1946
Andy’s Blues
Count Basie Orchestra
‘One Night Stand’
Avadon Ballroom
Los Angeles
AFRS Re-broadcast
1946

The Boswell Sisters Bio and Film – 31 Oct Phantom Dancer Play List


Hear Greg Poppleton bring you The Phantom Dancer – your non-stop mix of swing and jazz from live 1920s-60s radio and TV – every Tuesday after the midday news on 107.3 2SER and online at radio 2ser.com

See the full Phantom Dancer play list below, including a 1930s radio transcription by the influential jazz vocal harmony trio, the Boswell Sisters.


BOSWELL SISTERS – PHANTOM DANCER PROGRAM NOTES
Martha, Connie and Vet were the 1920s-1930s harmony sensations, The Boswell Sisters.

They were yet another 1920s – 30s jazz stand-out who had classical backgrounds, having studied classical piano, cello, and violin respectively.

“We studied classical music . . . and were being prepared for the stage and a concert tour throughout the United States, but the saxophone got us,” Martha told the Shreveport Times in 1925.

The sisters’ older brother Clyde, also a classically trained musician, was the one who first got his sisters into jazz. He introduced them to cornetist Emmett Louis Hardy, who shaped the sisters’ knowledge of jazz harmony, syncopation and improvisation. Vet took up the banjo, Connie took up saxophone and Martha continued playing the piano. Hardy died of tuberculosis at age 22. Clyde died from flu at 18.

For your Phantom Dancer Video of the Week, here are the Boswell Sisters in a 1932 Vitaphone short.
Also heard, a little dig at ‘music experts’ involving band leader Abe Lyman. Warning, the song ‘Louisiana Waddle’ contains racist lyrics. Read more Boswell notes and see today’s Phantom Dancer play list below…


The trio played concerts and vaudeville in the early 1920s, gradually replacing their classical repertoire with jazz. They first recorded in 1925 and after arriving in Los Angeles in 1929 sang on radio shows and recorded film music.

You’ll hear a song from one of their 1930 Hollywood Continental Broadcasting Corporation transcriptions on The Phantom Dancer today.

They became nationally famous, then internationally famous, after they moved to New York City in 1930 with their own show over CBS.

They recorded for Brunswick from 1931-1935, recordings that are considered milestone in vocal jazz. Connee wrote the vocal arrangements, Glenn Miller wrote the band arrangements and engaged the best New York jazz musicians to accompany the sisters, including the Dorsey Brothers, Benny Goodman, Bunny Berigan, Fulton McGrath, Joe Venuti, Arthur Schutt, Eddie Lang, Joe Tarto, Manny Klein, Dick McDonough and Carl Kress. Connee also made more conventional solo records for Brunswick during the same period.

They had 20 hits in this time, appeared on film and experimental TV, toured Europe twice, and even made a recording released only in Australia. They influenced the Andrew Sisters in the US, the Trio Lescano in Italy, Allanovy Sestry in Czechoslovakia and the Harmony Sisters in Finland. Connie Boswell’s solo recordings were a major influence on Ella Fitzgerald.

Vet’s daughter and granddaughter published the book, The Boswell Legacy, in 2014.

The young Boswell Sisters performing at home as a classical trio in 1918.
The young Boswell Sisters performing at home as a classical trio in 1918.

Greg Poppleton is Australia’s only authentic 1920s – 30s singer. He is also a film and TV actor who has worked with Adrien Brody, Nicole Kidman, John Goodman and many others.
Band website: www.gregpoppletonmusic.com
Actor and Voiceover: www.gregpoppleton.com

PHANTOM DANCER PLAY LIST

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #285

107.3 2SER Tuesday 31 October 2017
After the 2SER 12 noon news, 12:04 – 2:00pm (+11 hours GMT)
National Program:
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Swing Bands on 1944-46 Radio
Hot Lips (theme) + Hurry Homes
Henry Busse Orchestra
‘One Night Stand’
Palladium Ballroom
Hollywood
AFRS Re-broadcast
14 Sep 1944
Come Out Where Ever You Are
Harry James Music Makers (voc) Buddy DiVito Casino Gardens
Ocean Park Ca
KFI NBC LA
1944
Strictly Dynamics
Bob Crosby Orchestra
‘One Night Stand’
Palladium Ballroom
Hollywood
AFRS Re-broadcast
28 Sep 1946
Set 2
1930s Radio incl. Boswell Sisters
Coca-Cola Waltz (theme) + I’m A Dreamer, Aren’t We All?
Leonard Joy Orchestra
‘Coca-Cola Top Notchers’
WEAF NBC Red NY
19 Mar 1930
The One I Love Just Can’t Be Bothered With Me
Boswell Sisters
Continental Broadcasting Corporation
Hollywood
1930
Thank Your Father + Coca Cola Waltz
Leonard Joy Orchestra
’Coca-Cola Top Notchers’
WEEI NBC Red Boston
26 Mar 1930
Set 3
Trad on 1940s-50s Radio
Way Down Yonder In New Orleans
Eddie Condon Group
’Eddie Condon Jazz Concert’
WJZ Blue Network
New York City
18 Nov 1944
Sweet Sue
Al Hirt Jazz Band
’At The Jazz Band Ball’
WWL CBS New Orleans
18 Aug 1956
Aunt Hagar’s Childen’s Blues + Basin Street Blues
Henry Levine
’Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
16 Jun 1940
Set 4
Jazz Piano Stars on 1950s Radio
Theme + Let’s Get Away From It All
Andre Previn Trio
London House
WBBM CBS Chicago
1959
Lullaby of Birdland (theme) + Love For Sale
Erroll Garner Trio
’All-Star Parade of Bands’
Birdland
WNBC NBC NY
24 Jul 1953
Lady Is A Tramp + Close
George Shearing
‘All-Star Parade of Bands’
Blue Note
WMAQ NBC Chicago
1 Jul 1953
Set 5
1930s-1940s Australian Dance Bands
Fair and Warmer
Jim Davidson New Palais Dance Orchestra (voc) Austral Singers
Comm Rec
Sydney
7 Sep 1934
Jungle Jive
George Trevare Orchestra (voc) Elsie Wardrope
Comm Rec
Sydney
1943
Hang Your Heart On A Hickory Limb
Jim Davidson ABC Dance Orchestra (voc) Alice Smith
Comm Rec
Sydney
24 Jul 1939
Shoo Shoo Baby
George Trevare Orchestra (voc) Joan Blake
Comm Rec
Sydney
1944
Set 6
Women Singers with 1950s Big Bands
Theme + Dream A Little Dream Of Me
Claude Thornhill Orchestra (voc) Patty Ryan
’One Night Stand’
Steel Pier
Atlantic City NJ
AFRS Re-broadcast
19 Jun 1955
Till I Waltz Again With You
Harry James Orchestra (voc) April Ames
Hotel Astor Roof
WOR Mutual NY
25 May 1953
Too Young To Go Steady
Dorsey Brothers Orchestra (voc) Dolly Houston
Cafe Rouge
Hotel Pennsylvania
WRCA NBC NY
May 1956
Indian summer
Duke Ellington Orchestra (voc) Norma Oldham
Meadowbrook Ballroom
Cedar Grove NJ
WNBC NBC NY
6 Jun 1951
Set 7
Swing Era Toe-Tappers
Pretty Little Petticoat (theme) + Huckleberry Duck
Raymond Scott Orchestra
Radio Transcription
WMAQ NBC Chicago
1940
I’m Looking For A Guy Who Plays Alto and Baritone Doubles on a Clarinet and Wears a Size 37 Suit
Ozzie Nelson Orchestra (voc) Rose Ann Stevens
Blackhawk Restaurant
WGN Mutual Chicago
30 Mar 1940
Honeydripper
Jimmie Lunceford Orchestra (voc) Trio
’Spotlight Bands’
Jefferson Barracks, Missouri
Blue Network
23 Nov 1945
Solid Geometry For Squares
Joe Marsala Orchestra (harp) Adele Girard
Band Remote
Log Cabin
New York
23 Oct 1942
Set 8
Bop and Cool
Broadway
Charlie Parker
Birdland
WJZ NYC
9 May 1953
I Want a Little Girl
Charlie Shavers Quartet
London House
WBBM CBS Chicago
May 1962
I Remember Clifford
Oscar Pettiford Orchestra
Birdland
WCBS CBS NY
Jun 1957
Koko + Anthropology (theme)
Barry Ulanov All Star Metronome Jazzmen
WOR Mutual NY
8 Nov 1947

20 June Phantom Dancer – Harry James Trumpet Serenade (1942 Music Short)


Here’s your Phantom Dancer radio show play list and Video of the Week for Tuesday 20 June.

Your two hour non-stop mix of swing and jazz from live 1920s-60s radio and TV.

Presented by Greg Poppleton on Radio 2SER 107.3 Sydney since 1985.

You can now hear it ONLINE at Radio 2SER

In this week’s Phantom Dancer mix there’s a set of Jack Teagarden’s trombone, women sing the standards on 1951 radio and 1952 TV and Duke Ellington is on the air over his 1945 ‘Date With The Duke’ radio series.

The last hour is all vinyl.

Live-streamed and archived online at 2ser.com, your Phantom Dancer is heard on over 22 radio stations.

Your Phantom Dancer Video of the Week this week is the Harry James Orchestra with singer Helen Forrest from a 1942 musical short, Trumpet Serenade.

Enjoy!

Make sure you come back to this blog, Greg Poppleton’s Radio Lounge, every Tuesday, for the newest Phantom Dancer play list and Video of the Week!

Thank you.

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #267

107.3 2SER Tuesday 20 June 2017
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
2RRR Gladesville Thurs 11am – 12
ArtSoundFM Canberra Sunday 7 – 8pm
and early morning on 22 other stations.

Set 1
Women Sing Standards on 1951 Radio and 1952 TV
Theme + If I Could Be With You + Too Young
Peggy Lee (voc) Russ Case Orchestra
’Peggy Lee Show’
CBS
15 Jul 1951
More Than You Know
Jo Stafford (voc) Victor Young Orchestra
’Your Melody Hour’
NBC
5 Aug 1951
I Get A Kick Out of You
Ann Hathaway
’Adventures in Jazz’
WCBS TV CBS NY
4 Jan 1952
Set 2
Jack Teagarden & his Trombone 1936-55
Jack-Armstrong Blues
Jack Teagarden and Louis Armstrong’s All Stars (voc) JT and LA
Aircheck
1949
The Music Goes Around and Around
Jack Teagarden and Paul Whiteman’s Orchestra (voc) JT and PW
’Paul Whiteman’s Musical Varieties’
WJZ Blue NBC NY
12 Jan 1936
Lazy River + I’ve Got A Right To Sing The Blues (theme)
Jack Teagarden All-Stars
Club Hangover
KCBS CBS San Francisco
30 Apr 1955
Set 3
Miles Davis for US Savings Bonds on 1959 Radio
The Theme + So What?
Miles Davis Sextet
’Treasury of Music’
WNBC NBC NY
25 Aug 1959
Set 4
The Duke Is On The Air
Take The A Train (theme) + Midriff
Duke Ellington Orchestra
’A Date With The Duke’
400 Restaurant
WJZ ABC NY
30 Apr 1945
One O’Clock Jump
Duke Ellington Orchestra
’A Date With The Duke’
Apollo Theatre
WJZ ABC NY
1945
Stomp, Look and Listen + Take The A Train (theme)
Duke Ellington Orchestra
’A Date With The Duke’
AFRS Re-broadcast
1945
Set 5
Trad Jazz on 1940s-50s Radio and TV
New Orleans Masquerade
The New Graeme Bell Band
Sylvania Hotel
Comm Rec
Jul 1960
South Rampart Street Parade
The Dukes Of Dixieland
’Timex All-Star Jazz Show’
WCBS TV NY
30 Apr 1958
Black and Blue
Muggsy Spanier
’This is Jazz’
WOR MBS NY
22 Mar 1947
It’s The Talk of the Town
Eddie Condon Group (voc) Red McKenzie
’Eddie Condon Jazz Concert’
WJZ Blue NY
27 Jan 1945
Set 6
Mickey Mouse Bands on 1940s Radio
12th Street Rag
Ray Herbeck and his Music with Romance Orchestra
Edgewater Beach Hotel
WGN Mutual Chicago
1 Nov 1948
Old Fashioned Love
Eddy Howard Orchestra (voc) EH
Aragon Ballroom
WGN Mutual Chicago
5 Dec 1948
Once In Love With Amy
Freddy Martin Orchestra (voc) Merv Griffin and Band
Aircheck
Mural Room
Hotel St Francis
San Francisco
1940s
Zip-A-Dee-Doo-Dah
Ginny Simms (voc) Your Hit Parade Orchestra
’Your Hit Parade’
WNBC NBC NY
1 Mar 1947
Set 7
Swinging 1940s Radio
Sleep
Benny Carter Orchestra
Trianon Ballroom
Southgate Ca
KECA Blue LA
1944
Blackberry Jam
Glen Gary and the Casa Loma Orchestra
’Spotlight Bands’
Columbus OH
Blue Network
19 Nov 1943
Open + Smiles
Charlie Barnet Orchestra
’For The Record’
WEAF NBC Red NY
11 Sep 1944
Beulah’s Boogie
Lionel Hampton Orchestra
’One Night Stand’
Casa Mañana
Culver City Ca
KFI NBC LA
20 Jul 1947
Set 8
Benny Goodman
The World Is Waiting For The Sunrise
Benny Goodman Sextet
’Jubilee’
AFRS Hollywood
Jan 1948
Little White Lies
Patti Page (voc) Benny Goodman Sextet
’One Night Stand’
AFRS Hollywood
3 Jun 1948
Slipped Disc
Benny Goodman Sextet
’Kings of Jazz’
BBC London (from NYC)
8 Dec 1945