Gus Arnheim Introduces Bing Crosby – Phantom Dancer 6 December 2022


Gus Arnheim was a popular US band leader, composer and pianist. Bing Crosby first achieved solo popularity singing with the Arnheim band. You’ll hear Bing sing live with Arnheim on live 1931 radio on this week’s Phantom Dancer. Gus Arnheim is this week’s Phantom Dancer feature artist.

The Phantom Dancer is your weekly non-stop mix of swing and jazz from live 1920s-60s radio and TV every week.

LISTEN to this week’s Phantom Dancer mix (online after 2pm AEST, Tuesday 6 December) and two years of Phantom Dancer mixes online at, at https://2ser.com/phantom-dancer/

GUS

Gus Arnheim was most popular in the 1920s and 1930s. He wrote the pop hits ‘Sweet & Lovely’ (his radio theme) and I Cried For You amongst others.

He began his professional music career in 1919 playing piano at the Sunset Inn, Santa Monica with fellow future band leaders, Abe Lyman, on drums and, Harry Halstead, on viloin.

He was accompanist to vaudevillian Sophie Tucker.

When Lyman organized a full dance orchestra, Arnheim came along as pianist. He left to start his own group in 1927. Arnheim’s orchestra made at least three film short subjects for Warner Brothers’ Vitaphone Corporation in 1928–29.

Arnheim first recorded for OKeh in 1928–1929. He signed with Victor in 1929 –  1933, then Brunswick 1933 – 1937.

COCOANUT GROVE

During 1928–31, Arnheim had an extended engagement at the Cocoanut Grove in Los Angeles. That’s where you’ll hear him from in 1931 radio broadcasts on this week’s Phantom Dancer.

In 1930, when Paul Whiteman finished filming The King of Jazz for Universal, The Rhythm Boys vocal trio, consisting of Bing Crosby, Harry Barris and Al Rinker decided to stay in California. They signed up with Arnheim’s band.

The Rhythm Boys only recorded one song with Arnheim, “Them There Eyes” (which also happened to be The Rhythm Boys final recording).

Arnheim’s Orchestra backed Crosby on a number of songs released by Victor Records in 1931. These popular records, coupled with Arnheim’s radio broadcasts featuring Crosby’s solo vocals, were a key element to the beginning of Crosby’s popularity as a crooner.

NOTABLE

Between 1930 and 1933, some notable people worked in or with Arnheim’s band:

    • Fred MacMurray played clarinet and tenor sax in 1930-31 and sang on one recording “All I Want Is Just One”.

    • Russ Columbo played violin in 1930 and sang on “A Peach of a Pair”.

  • Future popular bandleader Jimmie Grier was staff arranger during this time. Grier had played lead alto saxophone and clarinet in Arnheim’s band from its founding in 1928.
  • Eddie Cantor and Joan Crawford each recorded a song for Arnheim on July 23, 1931, although the Crawford side (“How Long Will It Last?”) was not issued. Cantor’s side, “There’s Nothing Too Good for My Baby,” was issued but without vocalist credit.

    • Future popular singer Buddy Clark sang with Arnheim in 1932.

    • Shirley Ross sang with Arnheim in 1933

    • Stan Kenton played piano with Arnheim starting in 1937.

Between 1939 and 1944, Mexican American crooner Andy Russell played the drums and sang with Arnheim. Arnheim was the one who suggested that Russell sing bilingually in English and Spanish and change his last name from Rábago to Russell (in honor of Russ Columbo) leading to his first million-selling record “Bésame Mucho”.

Here’s Arnheim on a 1927 Vitaphone music short…

6 DECEMBER PLAY LIST

Play List – The Phantom Dancer
107.3 2SER-FM Sydney
LISTEN ONLINE

Community Radio Network Show CRN #574

107.3 2SER Tuesday 6 December 2022
12:04 – 2:00pm (+11 hours GMT) and Saturdays 5 – 5:55pm
National Program
5UV Adelaide Monday 2:30 – 3:30am
5GTR Mt Gambier Monday 2:30 – 3:30am
3MBR Murrayville Monday 3 – 4am
4NAG Keppel FM Monday 3 – 4am
2MIA Griffith Monday 3 – 4am
2BAR Edge FM Bega Monday 3 – 4am
2BRW Braidwood Monday 3 – 4am
2YYY Young Monday 3 – 4am
3VKV Alpine Radio Monday 6 – 7pm
7MID Oatlands Monday 3am – 4 and 6 -7pm
2MCE Bathurst Wednesday 9 – 10am
1ART ArtsoundFM Canberra Friday 10 – 11am
and Sunday 11pm
Reading Radio (QLD) Friday 1am – 2
2RRR Ryde Friday 11am – 12
2ARM Armidale Friday 12 – 1pm
5LCM Lofty FM Adelaide Friday 1 – 2pm
6GME Radio Goolarri Broome Saturday 4am – 5am
Denmark FM (West Australia) Saturday 10 – 11am
Repeat: Wednesdays 10 – 11pm
7LTN Launceston Sunday 5 – 6am
3MGB Mallacoota Sunday 5 – 6am
3BBR West Gippsland Sunday 5 – 6pm
2SEA Sapphire Coast Eden Sunday 9 – 10pm

Set 1
Xavier Cugat
Theme + Temptation
Xavier Cugat Orchestra (voc) Choir
‘Xavier Cugat ‘
Radio Transcription
1 Dec 1946
Alma Llanera
Xavier Cugat Orchestra (voc) Miguelito Valdés & Choir
‘March of Dimes’
Radio Transcription
1 Dec 1946
Say Si Si
Xavier Cugat Orchestra (voc) Nito Rosa & Choir
‘March of Dimes’
Radio Transcription
1 Dec 1946
Canta Noche un Amor Xavier Cugat Orchestra (voc) Del Campo & Choir
‘March of Dimes’
Radio Transcription
1 Dec 1946
Set 2
Dodo
Rose Room + Close
Dodo Marmarosa
‘Jubilee’
AFRS Hollywood
1947
Set 3
Les Paul and Mary Ford
Theme + Little Rock Getaway
Les Paul and Mary Ford
‘Les Paul & Mary Ford Show’
WMAQ NBC Chicago
26 May 1950
Until I Hold You Again
Les Paul (voc) Mary Ford
‘Les Paul & Mary Ford Show’
WMAQ NBC Chicago
26 May 1950
Puttin’ on the Style
Les Paul and Mary Ford (voc) LP and MF
‘Les Paul & Mary Ford Show’
WMAQ NBC Chicago
26 May 1950
What is This Thing Called Love + If a Nightingale Could Sing Like You
Les Paul and Mary Ford
‘Les Paul & Mary Ford Show’
WMAQ NBC Chicago
26 May 1950
Set 4
Gus Arnheim
Sweet and Lovely (theme) + Can’t You Read Between the Lines
Gus Arnheim Orchestra (voc) George Gramlich
‘Cocoanut Grove Show’
Radio Transcription
Los Angeles
1931
Making Faces at the Man in the Moon
Gus Arnheim Orchestra (voc) Loyce Whiteman
‘Cocoanut Grove Show’
Radio Transcription
Los Angeles
1931
Dancing with the Daffodils
Gus Arnheim Orchestra
‘Cocoanut Grove Show’
Radio Transcription
Los Angeles
1931
Out of Nowhere + What is It?
Gus Arnheim Orchestra (voc) Bing Crosby & Loyce Whiteman
‘MJB Demi-Tasse Revue’
KFI NBC Gold
Los Angeles
1931
Set 5
Jimmy Dorsey
Contrasts (theme) + Just You, Just Me
Jimmy Dorsey Orchestra
Palladium Ballroom
KNX CBS LA
8 Feb 1943
Jug Music
Jimmy Dorsey Orchestra
Palladium Ballroom
KFI NBC Red LA
20 Oct 1941
Moonlight on the Ganges
Jimmy Dorsey Orchestra
Palladium Ballroom
KNX CBS LA
8 Feb 1943
Mood in Da Groove
Jimmy Dorsey Orchestra
Palladium Ballroom
KFI NBC Red LA
20 Oct 1941
Set 6
1930s English Dance Bands
Young & Healthy
Billy Cotton Band (voc) Alan Breeze
Comm Rec
London
18 Mar 1933
The Gold Diggers’ Song
Jack Hylton Orchestra
Comm Rec
London
28 Jul 1933
I’ve Had My Moments
Billy Cotton Band (voc) Chips Chippendale
Comm Rec
London
14 Aug 1934
Hylton Stomp
Jack Hylton Orchestra
Comm Rec
London
12 Oct 1932
Set 7
Ford Startime
Intro by Ronald Reagan _ Drum Boogie
Gene Krupa Orchestra (voc) Anita O’Day
‘Ford Startime’
KFI NBC TV
9 Feb 1960
Chatanooga Choo Choo
Tex Beneke & The Modernaires ‘Ford Startime’
KFI NBC TV
9 Feb 1960
South Rampart Street Parade
Bob Crosby Bobcats
‘Ford Startime’
KFI NBC TV
9 Feb 1960
Big Noise from Winnetka
Ray Bauduc & Bobby Haggart
‘Ford Startime’
KFI NBC TV
9 Feb 1960
Set 8
Ellington 64
Afro Bossa
Duke Ellington Orchestra
‘One Night Stand’
Steel Pier
Atlantic City NJ
AFRTS Re-broadcast
Jul 1964
Call Me Irresponsible Duke Ellington Orchestra
‘One Night Stand’
Steel Pier
Atlantic City NJ
AFRTS Re-broadcast
Jul 1964
Hello Dolly
Duke Ellington Orchestra
‘One Night Stand’
Steel Pier
Atlantic City NJ
AFRTS Re-broadcast
Jul 1964

Dolly Dawn – Inspiration for Ella Fitzgerald – Phantom Dancer 1 October 2019


DOLLY DAWN

When you listen to Ella Fitzgerald you hear Dolly Dawn? Why? Because Dolly Dawn was a big influence on Ella Fitzgerald’s singing style. Dolly Dawn is this week’s Phantom Dancer presented by Greg Poppleton.

ONLINE

This week’s Phantom Dancer will be online right after the 1 October 107.3 2SER Sydney live mix at 2ser.com.
Hear the show live every Tuesday 12:04-2pm on 107.3 2SER Sydney

FOCUS

Dolly Dawn was one of the first vocalists to become the sole focus of a band. When Walter Winchell coined the term ‘canary’ for female singers, he was referring to her.

She sang with George Hall and his Orchestra from age 16. Though born Theresa Maria Stabile, (she was a cousin of band leader Dick Stabile) she had already given herself the stage name Billie Starr after winning a singing contest at age 14.


George Hall and Harriet Mencken, a writer on The New York Journal-American, came up with the name, Dolly Dawn, for her.

‘She’s as fresh as the dawn and as dimpled as a doll,’ the newspaperwoman said, according to an article in Radio Guide in 1937. Miss Dawn never stopped hating the name, which she thought made her sound like a stripper.

DAWN PATROL

Nevertheless, her relationship with Hall and his wife was so close that they formally adopted her when she was 19. In a ceremony on 4 July 1941, at the Roseland Ballroom in New York, George Hall officially turned the band over to her and became her manager.

NEW YORK – JANUARY 28: Big Band singer Dolly Dawn and orchestra leader George Hall. Dolly models hat fashions. Image dated January 28, 1936. New York, NY. (Photo by CBS via Getty Images)

The band was renamed ‘Dolly Dawn and Her Dawn Patrol’ and on this week’s Phantom Dancer we hear her introduce herself as a band leader on NBC’s ‘Chamber Music Society of Lower Basin Street’.

The WW2 draft took most of her band, so from 1942 she continued without the band, appearing in engagements across the US. She continued to record into the 1950s.

She developed a cult following that saw her in scattered club appearances in the 1970s and 80s, particularly in response to the release of a double album of her records with George Hall on the RCA Bluebird label in 1976.

VIDEO

This week’s Phantom Dancer video of the week is Dolly Dawn singing with George Hall’s Orchestra in the 1938 short, ‘Hall’s Holliday’. Enjoy!

1 OCTOBER PLAY LIST

Play List – The Phantom Dancer
107.3 2SER-FM Sydney, Live Stream, Digital Radio
Community Radio Network Show CRN #407

107.3 2SER Tuesday 1 October 2019
After the 2SER 12 noon news, 12:04 – 2:00pm (+10 hours GMT)
National Program:
Edge FM Bega Monday 3 – 4pm
7MID Oatlands Tuesday 8 – 9pm
2ARM Armidale Friday 12 – 1pm
3MGB Mallacoota Sunday 5 – 6am
ArtSoundFM Canberra Sunday 10 – 11pm
and early morning on 23 other stations.

Set 1
1939 – 40 Radio Remotes
Theme + Choppin’ Wood
Woody Herman Orchestra
The Famous Door
WEAF NBC Red NY
7 Jan 1940
Dardenella
Paul Whiteman Orchestra
‘Chesterfield Show’
WABC CBS NY
25 Oct 1939
The Chinese Lullaby + Close
Teddy Powell Orchestra (voc) Jimmy Blair
The Famous Door
WJSV Washington DC via WABC CBS NY
21 Sep 1939
Set 2
This Is Jazz 1947 Radio
Theme + St Louis Blues + Tin Roof Blues
Wild Bill Davison and more (voc) George Brunies
‘This is Jazz’
WOR Mutual NY
10 May 1947
Chocolate Bar
James P Johnson
‘This is Jazz’
WOR Mutual NY
17 May 1947
Blue Turning Gray Over You + I’ve Got a Feeling I’m Falling
Wild Bill Davison and more
‘This is Jazz’
WOR Mutual NY
17 May 1947
Set 3
Glenn Miller in German 1944
Long Ago and Far Away
Glenn Miller Orchestra (voc) Johnny Desmond
ABSIE American Broadcasting Station in Europe
Abbey Road Studios
London
30 Oct 1944
Body and Soul
Glenn Miller Orchestra
ABSIE American Broadcasting Station in Europe
Abbey Road Studios
London
27 Nov 1944
Poinciana
Glenn Miller Orchestra
ABSIE American Broadcasting Station in Europe
Abbey Road Studios
London
6 Nov 1944
Set 4
Dolly Dawn
The You and Me That Used To Be
George Hall Orchestra (voc) Dolly Dawn
‘Easy to Remember’
WABC CBS NY
1937
Dolly Dawn Speaks
Dolly Dawn
‘Chamber Music Society of Lower Basin Street’
WJZ NBC Blue NY
25 Aug 1941
Beethoven Wrote But It Swings
Dolly Dawn and her Dawn Patrol
Comm Rec
15 Feb 1939
52nd Street
George Hall Orchestra (voc) Dolly Dawn
‘Easy to Remember’
WABC CBS NY
1937
Set 5
Novelty Songs on 1930s-40s Radio
The Music Goes Round and Round
Paul Whiteman Orchestra (voc) Jack Teagarden
‘Paul Whiteman’s Musical Varieties’
WJZ NBC Blue NY
12 Jan 1936
Open The Door Richard
The Hit Paraders
‘Your Hit Parade’
WNBC NBC NY
1 Mar 1947
Swingin’ On A Star
Louis Armstrong Orchestra (voc) LA
‘Spotlight Bands’
Tuskagee Alabama
AFRS Re-broadcast
5 Oct 1944
Zip-a-Dee-Doo-Dah
Ginny Simms
‘Your Hit Parade’
WNBC NBC NY
1 Mar 1947
Set 6
Trad Bands on 1940s Radio
Ollie Outs In Free
Carl Ravazza Orchestra (voc) Carl Ravazza and Band
Radio Transcription
1942
Tain’t Me
Raymond Scott Orchestra (voc) Dorothy Collins
Radio Transcription
1944
Cancel the Flowers
Carl Ravazza Orchestra (voc) Carl Ravazza
Radio Transcription
1941
The Beard
Raymond Scott Orchestra
Radio Transcription
1944
Set 7
Cocoanut Grove 1931 – 32 Radio Transcriptions
Do The New York
Gus Arnheim Orchestra
Radio Transcription
Cocoanut Grove
Los Angeles
1931
Down Among the Sleepy Pines
Jimmie Grier Orchestra (voc) Jean Shark and the Three Ambassadors
Radio Transcription
Cocoanut Grove
Los Angeles
1932
Out of Nowhere
Gus Arnheim Orchestra (voc) Bing Crosby
‘MJB Coffee Revue’
KFI NBC Orange
Cocoanut Grove
Los Angeles
1931
I Know You’re Lying But I Love It
Jimmie Grier Orchestra (voc) Gogo DeLys and the Four Cheers
Radio Transcription
Cocoanut Grove
Los Angeles
1932
Set 8
Jazz Piano on Radio
Budo
Bud Powell
‘Symphony Sid Show’
WJZ ABC NY
7 Mar 1953
All The Things You Are
Thelonius Monk
Aircheck
1948
Cherokee
Art Tatum
Radio Transcription
late 1940s
I’ll Remember April
Erroll Garner
Peacock Lane
KFI NBC LA
Mar 1957